Portrait painting - Quiz
A) Yang Qian B) Araniko C) Kublai Khan D) Emperor Gaozong
A) In the Emperor's private palace B) On a stone tablet at the Imperial University C) In a forest near the capital D) On the walls of the city gate
A) To document fashion trends B) To educate students as a moral code C) To highlight the wealth of the dynasty D) To celebrate the Mongol conquest
A) To establish a new religion B) To increase tax revenues C) To claim his policies were supported by Confucianism D) To improve relations with foreign empires
A) Yang Qian B) Araniko C) Emperor Gaozong D) Confucius
A) Moral rightness B) Loyalty to the Mongol government C) Financial wealth D) Reclusion from nature
A) A specific historical battle site B) The absolute rejection of the Mongol government C) The standard interior of a scholar's study D) The potential choice between reclusion and political service
A) Pure ink wash without coloring B) Oil layering and brush strokes C) Outlining with ink and reinforcing with color D) Charcoal sketching and water wash
A) Song Chinese B) European C) Himalayan D) Japanese
A) They avoid the use of color B) They are more fluid and narrative C) They focus heavily on emotional spirit D) They are highly symmetrical and rigid
A) The blurred facial expressions of the sitters B) The use of bright, contrasting landscapes C) The inclusion of handwritten inscriptions D) Full frontal orientation and centered pupils
A) Yuan portraits emphasize spirit more than Song portraits B) Both emphasize the capture of spirit equally C) Yuan portraits lack the emphasis on the sitter's spirit D) Song portraits lacked spirit compared to Yuan
A) Choosing between Buddhism and Confucianism B) Choosing between moving to the Himalayas or staying in China C) Choosing between landscape and portrait painting D) Choosing between reclusion or new political careers
A) Gustav Klimt B) Henri Matisse C) Pablo Picasso D) Otto Dix
A) Amedeo Modigliani B) Oskar Kokoschka C) Max Beckmann D) Gustav Klimt
A) Otto Dix B) Max Ernst C) Francis Picabia D) Oskar Kokoschka
A) Hyper-realistic B) Grossly distorted C) Highly simplified D) Traditionalist
A) Cubism B) Dadaism C) French impressionism D) Vorticism
A) Sculptural reliefs B) Abstract murals C) Self-portraits D) Landscapes
A) Tamara de Lempicka B) George Bellows C) Olga Boznańska D) Max Ernst
A) Max Ernst B) George Bellows C) Andy Warhol D) Robert Henri
A) Jamie Wyeth B) Chuck Close C) Andrew Wyeth D) Lucian Freud
A) 247 B) 27 C) 500 D) 100
A) Andy Warhol B) Francis Bacon C) Lucian Freud D) Chuck Close
A) Streamlined Art Deco style B) Nightmarish quality C) Hyper-realistic detail D) Byzantine motifs
A) Jamie Wyeth B) Chuck Close C) Alex Katz D) Andy Warhol
A) Orange Prince B) Benefits Supervisor Sleeping C) All Friends Together D) Orange Shot Marilyn
A) Andrew Wyeth B) Jamie Wyeth C) George Bellows D) Robert Henri
A) Vorticists B) Expressionists C) Impressionists D) Dadaists
A) Photography B) Digital art C) Lithography D) Sculpture carving
A) Half-length B) Three-quarter view C) Bust D) Full-length
A) The chin B) The ears C) The mouth D) The eyes
A) Portrait of Madame X B) Mme. Charpentier and her children C) Christina's World D) Portrait of George Washington
A) One hundred B) About four C) One D) Fifty
A) A photograph B) A professional model C) A second painter D) A mirror
A) Gilbert Stuart B) Cézanne C) Raphael D) Goya
A) Full-length B) Bust C) Profile D) Three-quarter
A) A month B) A year C) A day D) A week
A) A masterpiece B) A lower price C) A commission success D) A client's dissatisfaction
A) China B) Greece C) Rome D) Egypt
A) 14th century BC B) 10th century BC C) 5th century BC D) 20th century BC
A) 100 AD B) Over 1000 BC C) 2000 BC D) 500 AD
A) Papyrus sketches B) Stone murals C) Surviving canvas paintings D) Literary evidence
A) Pliny the Elder B) Constantine I C) Alexander the Great D) Theodosius I
A) Fayum, Egypt B) Athens, Greece C) Byzantium, Turkey D) Rome, Italy
A) Alexander the Great B) Pliny the Elder C) Constantine I D) Socrates
A) It declined considerably B) It increased significantly C) It remained the same D) It focused only on children
A) Abstract geometric shapes B) Fairly standardized images C) Highly realistic individual portraits D) Caricatures of historical figures
A) Hildegard of Bingen B) Leonardo da Vinci C) Robert Campin D) Jan van Eyck
A) Richard II of England B) Cosimo I de' Medici C) Charles IV D) Henry VIII
A) Raphael B) Michelangelo C) Rogier van der Weyden D) Sandro Botticelli
A) Watercolor B) Tempera C) Fresco D) Oil colors
A) Canvas allows for faster drying B) Canvas resists cracking better than wood C) Canvas was easier to find D) Canvas was cheaper than wood
A) School of Athens B) Ginevra de' Benci C) The Mona Lisa D) The Arnolfini Marriage
A) Albrecht Dürer B) Leonardo da Vinci C) Hans Holbein the Younger D) Lucas Cranach
A) Richard II B) Sir Thomas More C) Charles IV D) Henry VIII
A) Perfect symmetry B) Absence of teeth C) Exaggerated width D) Subtle asymmetry
A) Leonardo da Vinci B) Titian C) Raphael D) Masaccio
A) Titian B) Leonardo da Vinci C) Raphael D) Agnolo Bronzino
A) El Greco B) Albrecht Dürer C) Hans Holbein the Younger D) Agnolo Bronzino
A) The Accademia degli Incamminati B) Rembrandt C) Diego Velázquez D) Frans Hals
A) Diego Velázquez B) Sir Anthony van Dyck C) Peter Paul Rubens D) Frans Hals
A) Using very long brushes B) Taking the general air C) Painting only the background D) Observing exact similitude of every feature
A) John Trumbull B) Thomas Gainsborough C) William Hogarth D) Gilbert Stuart
A) Charles Willson Peale B) John Singleton Copley C) Gilbert Stuart D) John Trumbull
A) Fresco B) Impasto C) Pointillism D) Chiaroscuro
A) Hyacinthe Rigaud B) Élisabeth Vigée-Lebrun C) Peter Paul Rubens D) François Boucher
A) Élisabeth Vigée-Lebrun B) Madame de Pompadour C) Rosalba Carriera D) Angelica Kauffman
A) Heavy velvet robes B) Diaphanous gowns C) Ornate floral corsets D) Traditional armor
A) Gustave Courbet B) Jacques-Louis David C) Eugène Delacroix D) Jean-Auguste-Dominique Ingres
A) Piotr Michałowski B) Honoré Daumier C) Francisco de Goya D) Théodore Géricault
A) Mary Cassatt B) Thomas Eakins C) Édouard Manet D) Gustave Courbet
A) Cecilia Beaux B) Giovanni Boldini C) John Singer Sargent D) Edgar Degas
A) Cecilia Beaux B) Edith Mahon C) Jane Avril D) Mary Cassatt
A) Pierre-Auguste Renoir B) Honoré Daumier C) Claude Monet D) Jacques-Louis David
A) Edgar Degas B) Thomas Eakins C) Édouard Manet D) Gustave Courbet
A) Mongol Ilkhanids B) Ottoman Empire C) Qajar dynasty D) Mughal Empire
A) Profile B) Full-back view C) Frontal D) Three-quarter view
A) Blindness B) Color blindness C) Dyslexia D) Poor eyesight
A) Swords B) Jeweled turbans C) Crowns D) Halos
A) Foreign dignitaries B) A very restricted circle C) The general public D) Religious leaders
A) Ilkhanid B) Qajar C) Ottoman D) Mughal
A) European-looking features B) Abstract shapes C) Highly individualized features D) Chinese-looking features
A) Confucian bureaucrats B) Taoist merchants C) Buddhist clergy D) Imperial palace guards
A) The most senior ministers B) All government officials C) Foreign dignitaries D) The general public
A) Physiognomy B) Mathematics C) Astronomy D) Calligraphy
A) Every month B) Once per decade C) Once a year D) Only upon the death of an emperor
A) Gu Kaizhi B) Ruan Xian C) Sima Yan D) Rong Qiqi
A) 150 inches B) 200 inches C) 96 inches D) 35 inches
A) Ten B) Eight C) Four D) Seven
A) Ruan Ji B) Liu Ling C) Rong Qiqi D) Ji Kang
A) Playing the flute B) Drinking alcohol C) Writing literature D) Dancing
A) A flute B) A zither C) A harp D) A drum
A) A bowl B) A vase C) An erbei D) A goblet
A) Gu Kaizhi B) Ruan Xian C) Sima Yan D) Shan Tao
A) Tang dynasty B) Song dynasty C) Han dynasty D) Ming dynasty
A) Taoism B) Shintoism C) Buddhism D) Confucianism
A) Chronological succession B) Temporal incorruptibility C) Imperial legitimacy D) Spiritual consonance
A) Thirteen B) Fifteen C) Ten D) Twelve
A) Informal costumes indicated bad rulers, formal dress indicated high achievements B) Informal costumes indicated wise scholars, formal dress indicated warriors C) Only the Tang dynasty emperors wore formal attire D) All emperors were dressed in identical royal robes |
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