A) Costume selection
B) The inner life of the actor
C) Lighting design
D) Stage direction

A) The director's vision
B) The character's overall goal
C) The setting of the play
D) The actor's personal goal

A) System of acting
B) Lee Strasberg's approach
C) Method acting
D) Meisner technique

A) Stage movement
B) Underlying meaning of dialogue
C) Director's notes
D) Actor's biography

A) Creating conflicts
B) Establishing setting
C) Designing costumes
D) Driving the action

A) To create depth for the character
B) To describe costume choices
C) To write the script
D) To outline stage directions

A) Exploration and experimentation
B) Rigid structure
C) Costume fittings
D) Learning lines

A) Historical figures
B) Shakespeare's plays
C) Real-life celebrities
D) Stanislavski's own experiences