A) Goodman Theatre B) Albert Theatre C) Apollo Theater D) Broadway Theatre
A) September to December 2024 B) July 8 to August 11, 2024 C) July 8 to September 2024 D) June 25 to August 11, 2024
A) September 2024 B) August 11, 2024 C) June 25, 2024 D) July 8, 2024
A) Tanya Birl-Torres B) Christopher Oram C) Rob Ashford D) Jon Weston
A) Toni-Leslie James B) Tanya Birl-Torres C) Neil Austin D) Rob Ashford
A) Steven Oxman B) J. Harrison Ghee C) Tom Hewitt D) Sierra Boggess
A) Charles Isherwood B) Chris Jones C) J. Harrison Ghee D) Tom Hewitt
A) Tanya Birl-Torres B) Elisabeth Vincentelli C) J. Harrison Ghee D) Sierra Boggess
A) Neil Austin B) Toni-Leslie James C) Christopher Oram D) Jon Weston
A) Jamie Platt B) Rob Ashford C) Toni-Leslie James D) Christopher Oram
A) Tanya Birl-Torres & Tom Hewitt B) Toni-Leslie James & Rob Ashford C) Neil Austin & Jamie Platt D) Jon Weston & Christopher Oram
A) Jon Weston B) Jamie Platt C) Neil Austin D) Christopher Oram
A) August 2024 B) September 2024 C) July 2024 D) June 2024
A) 2024 B) 2026 C) 2025 D) 2027
A) The New York Times B) The Wall Street Journal C) Chicago Tribune D) Variety
A) A triple threat performer at the top of their game B) Lacking credible conflict C) Too timid in the splashier scenes D) As intriguing as it is unwieldy
A) Chris Jones B) Charles Isherwood C) Benjamin Payne D) Steven Oxman
A) The score was weaker than previous works B) A lack of a credible conflict C) Problems resulting from adapting a digressive novel D) The absence of a 1980s jury deliberation
A) Variety B) Georgia Public Broadcasting C) The New York Times D) Chicago Tribune
A) The lack of a credible conflict B) The absence of showing a 1980s jury deliberating C) A weak musical score D) Too timid direction in splashier scenes
A) Elisabeth Vincentelli B) Steven Oxman C) Chris Jones D) Charles Isherwood
A) Timidity in the splashier scenes B) Poor set design C) Its lack of a credible conflict D) The absence of a jury deliberation
A) Benjamin Payne B) Elisabeth Vincentelli C) Steven Oxman D) Chris Jones
A) Extremely bold and chaotic B) Brilliant and engaging C) Overly theatrical and unwieldy D) Overall too timid
A) A complete failure with no redeeming qualities B) Flawless from start to finish C) As intriguing as it is unwieldy, and so close to working D) The best musical adaptation of the decade
A) Taylor Mac B) Alfred Uhry C) Jason Robert Brown D) John Berendt
A) Alfred Uhry B) John Berendt C) Jason Robert Brown D) Taylor Mac
A) 1994 B) 2023 C) 2014 D) 2012
A) Alfred Uhry B) Jason Robert Brown C) John Berendt D) Taylor Mac
A) Chicago B) London C) New York D) Savannah
A) Jason Robert Brown B) Danny Hansford C) John Berendt D) Alfred Uhry
A) Alfred Uhry B) Taylor Mac C) Rob Ashford D) Jason Robert Brown
A) Alfred Uhry B) Johnny Mercer C) John Berendt D) Jason Robert Brown
A) Taylor Mac B) Tony Goldwyn C) Danny Hansford D) Stratton Leopold
A) Leslie Uggams B) John Berendt C) Jason Robert Brown D) Alfred Uhry
A) Jessica Molaskey B) Rob Ashford C) Taylor Mac D) Anne Hamburger
A) February 2023 B) July 2024 C) Late 2014 D) May 2012
A) December B) February C) July D) May
A) Mercer songs alone could not drive the story forward B) Johnny Mercer's catalogue was copyrighted C) Alfred Uhry quit the production D) The director demanded modern pop music
A) Acrobatic stunts B) Singing without accompaniment C) Puppet performances D) Break the fourth wall
A) Only the first act B) No C) Yes D) Only the lyrics
A) Visited Savannah B) Studied Johnny Mercer's biography C) Interviewed Alfred Uhry D) Conducted readings in Chicago
A) Tony Goldwyn B) Anne Hamburger C) Rob Ashford D) Stratton Leopold
A) Hansford's B) Williams's C) Berendt's D) Mercer's
A) An antiques store B) Mercer House C) Goodman Theatre D) The Chicago Playhouse |