A) London B) Paris C) Venice D) Rome
A) Cubism B) Renaissance C) Surrealism D) Impressionism
A) School and hospital B) Church and monarchy C) Government and military D) Marketplace and trade
A) Portraits B) Vanitas C) Mythology D) Landscape
A) 20th century B) 14th century C) 19th century D) 17th century
A) Graffiti B) Pointillism C) Chiaroscuro D) Collage
A) Geometric shapes B) Horizontal lines C) Symmetrical patterns D) Use of diagonals and spirals
A) Mary Cassatt B) Artemisia Gentileschi C) Louise Élisabeth Vigée Le Brun D) Frida Kahlo
A) Rococo B) Baroque C) Renaissance D) Neoclassical
A) Cartouche B) Fresco C) Mosaic D) Bas-relief
A) Italian B) Spanish C) French D) German
A) Gold chains B) Irregular pearls C) Silver filigree D) Diamond cuts
A) Michel de Montaigne B) Voltaire C) Blaise Pascal D) Rene Descartes
A) 1728 B) 1694 C) 1531 D) 1762
A) Jean-Philippe Rameau B) Ludwig van Beethoven C) Wolfgang Amadeus Mozart D) Johann Sebastian Bach
A) Romantic music B) Classical music C) Renaissance music D) Baroque music
A) Quatremère de Quincy B) Jacob Burckhardt C) John Ruskin D) Heinrich Wölfflin
A) Art Nouveau B) Gothic C) Rococo D) Neoclassical
A) Something irregular, bizarre or unequal. B) An innovative and modern approach. C) A traditional and classical form. D) A harmonious and balanced composition.
A) Michelangelo Buonarroti B) Raphael Sanzio C) Federico Barocci D) Leonardo da Vinci
A) 1788 B) 1768 C) 1855 D) 1835
A) To describe modernist movements. B) To praise Renaissance art. C) To celebrate Gothic architecture. D) To ridicule post-Renaissance art.
A) The Renaissance B) The French Revolution C) The Protestant Reformation D) The Industrial Revolution
A) Sculptures of saints B) Trompe-l'œil paintings on the ceiling C) Frescoes on the walls D) Stained glass windows
A) They are designed for correct perspective from the floor B) They avoid religious themes C) They use only monochromatic colors D) They depict multiple scenes in one perspective
A) The pointed spire B) The flying buttress C) The flat arch D) The twisted column
A) Bramante B) Gian Lorenzo Bernini C) Carlo Maderno D) Francesco Borromini
A) Forced perspective B) Symmetrical design C) Geometric abstraction D) Minimalist style
A) 1634 B) 1584 C) 1605 D) 1656
A) Gian Lorenzo Bernini B) Francesco Borromini C) Baldassare Longhena D) Guarino Guarini
A) Andrea Pozzo B) Giovanni Battista Gaulli C) Gian Lorenzo Bernini D) Francesco Borromini
A) Guarino Guarini B) Gian Lorenzo Bernini C) Baldassare Longhena D) Francesco Borromini
A) Santa Maria della Salute B) The Church of the Gesù C) San Carlo alle Quattro Fontane D) St. Peter's Basilica
A) Guarino Guarini B) Francesco Borromini C) Gian Lorenzo Bernini D) Baldassare Longhena
A) Palace of San Telmo B) San Isidro Chapel in Madrid C) Santiago de Compostela Cathedral D) Chapel tower of Palace of San Telmo
A) Madrid B) Granada C) Salamanca D) Seville
A) Leonardo de Figueroa B) Pedro de la Torre C) Fernando de Casas Novoa D) Alonso Cano
A) Classicism B) Gothic C) Rococo D) Churrigueresque style
A) Salamanca B) Granada C) Madrid D) Seville
A) Pedro de Ribera B) Narciso Tomé C) Alonso Cano D) Fernando de Casas Novoa
A) Claudio Monteverdi B) Arcangelo Corelli C) Heinrich Schütz D) Johann Pachelbel
A) Dominikus Zimmermann B) Matthäus Daniel Pöppelmann C) Balthasar Neumann D) Johann Bernhard Fischer von Erlach
A) Coimbra B) Lisbon C) Braga D) Porto
A) Francesco Cavalli B) Alessandro Scarlatti C) Tomaso Albinoni D) Marc-Antoine Charpentier
A) Storing books B) Writing letters C) Displaying jewelry D) Holding dishes
A) Giovanni Battista Pergolesi B) Jan Dismas Zelenka C) Francesco Cavalli D) Alessandro Scarlatti
A) Stone B) Marble C) Bronze D) Polychromed wood
A) St. Petersburg B) Paris C) Rome D) Berlin
A) Henry Purcell B) Antonio Vivaldi C) George Frideric Handel D) Johann Sebastian Bach
A) Miguel Cabrera B) Gregorio Vasquez de Arce y Ceballos C) José Juárez D) Juan Rodríguez Juárez
A) Simple wooden fences without decoration B) Maximalist railings decorated with rinceaux C) Minimalist stone barriers D) Flat metal grilles
A) 1717 B) 1725 C) 1736 D) 1688
A) Lima B) Mexico City C) Santiago D) Buenos Aires
A) Faces were more tranquil B) Faces were not depicted C) Faces were abstract and non-representational D) Faces clearly expressed emotions
A) Jean-Baptiste Lully B) Heinrich Schütz C) Pierre Perrin D) Henry Purcell
A) Rome B) Florence C) Venice D) Padua
A) 1768 B) 1919 C) 1940 D) 1734
A) Juan Rodríguez Juárez B) José Juárez C) Miguel Cabrera D) Gregorio Vasquez de Arce y Ceballos
A) Flat roofs without decoration B) Railings at Mogoșoaia Palace C) Minimalist wooden furniture D) Simple stone walls
A) Henry Purcell B) Heinrich Schütz C) Bartolomeo Cristofori D) Jean-Baptiste Lully
A) Paris, opened by Pierre Perrin B) Florence C) Tuscany D) Vienna
A) May 1734 B) 1768 C) 1919 D) October 1733
A) Romanian independence era B) Phanariot reigns C) Byzantine rule D) Ottoman Empire's peak period
A) Georg Wenzeslaus von Knobelsdorff B) Johann Bernhard Fischer von Erlach C) Balthasar Neumann D) Dominikus Zimmermann
A) Delicate floral motifs B) Minimalist stone carvings C) Simple geometric shapes D) Geometric patterns without depth
A) Golden Age B) Royal Absolutism C) Baroque Boom D) Pombaline Era
A) Robert Cambert's Pomone B) Heinrich Schütz's compositions C) Jacopo Peri's Dafne D) Jean-Philippe Rameau's Hippolyte et Aricie
A) Diego Quispe Tito B) Basilio Santa Cruz Pumacallao C) Marcos Zapata D) Luis de Riaño
A) Broken pediments B) Applied order C) Curvilinear façades D) Mansard roof
A) Pierre Le Muet B) Robert de Cotte C) Louis Le Vau D) François Mansart
A) Antonio Vivaldi B) Arcangelo Corelli C) Marin Marais D) Henry Purcell
A) Sevillan Tenebrism B) Murillesque C) Cusco School of painting D) Quito School
A) Davao City B) Manila C) Cebu City D) Vigan
A) Pomone B) Hippolyte et Aricie C) Lully's operas D) Dafne
A) Florence B) Bologna C) Milan D) Venice
A) Mercure de France B) Encyclopédie by Denis Diderot C) Musical compositions D) Opera libretti
A) Giovanni Battista Piranesi B) Francesco Borromini C) Nicolau Nasoni D) Carlo Maderno
A) Charles Le Brun B) Claude Perrault C) André Le Nôtre D) François Mansart
A) Against a wall B) Underneath a window C) In the center of a room D) On top of another piece of furniture
A) Oscar Niemeyer B) Aleijadinho C) Lúcio Costa D) Carlos Drummond de Andrade
A) Louis XIV B) Frederick the Great C) Pope Urban VIII D) Charles II of Spain
A) Catherine the Great B) Peter the Great C) Nicholas II D) Ivan the Terrible
A) Arcangelo Corelli B) Claudio Monteverdi C) Giovanni Gabrieli D) Heinrich Schütz
A) Curt Sachs B) Jean-Jacques Rousseau C) Denis Diderot D) Manfred Bukofzer
A) Diego Velázquez B) François Boucher C) Pietro da Cortona D) Elisabetta Sirani
A) Pompeo Ferrari B) Giovanni Battista Trevano C) Christoph Dientzenhofer D) Tylman van Gameren
A) Fortaleza B) São Paulo C) Salvador D) Recife
A) George Frideric Handel B) Johann Sebastian Bach C) Jean-Philippe Rameau D) Antonio Vivaldi
A) François Couperin B) Arcangelo Corelli C) Johann Sebastian Bach D) Domenico Scarlatti
A) Renaissance works B) Nature C) Classical models D) Modern art
A) Pietro da Cortona B) François Boucher C) Nicolas Poussin D) Michelangelo Merisi da Caravaggio
A) Canapé B) Chest C) Commode D) Fauteuil en confessionale
A) Marc-Antoine Charpentier B) Jan Dismas Zelenka C) Francesco Cavalli D) Alessandro Scarlatti
A) Musikalische Exequien B) Ercole amante C) Symphoniae sacrae book 2 D) L'Orfeo, favola in musica
A) Louis XIV B) Napoleon Bonaparte C) Louis XVI D) Louis XV
A) José Juárez B) Bernardo Bitti C) Sebastián López de Arteaga D) Melchor Pérez de Holguín
A) Vasile Lupu B) Michael the Brave C) Constantin Brâncoveanu D) Matei Basarab
A) Un cimbalo di cipresso di piano e forte B) Concerto C) Fortepiano D) Sinfonia
A) Domenico Scarlatti B) George Frideric Handel C) Jean-Philippe Rameau D) Marc-Antoine Charpentier
A) Arcangelo Corelli B) Marin Marais C) Henry Purcell D) Johann Pachelbel |