![]()
A) Architectural designs created only by Māori architects B) Strictly as traditional meeting houses and shrines C) Only buildings constructed with natural materials D) Anything involving a Māori client with a Māori focus
A) The size of the land available B) The architectural budget and timeline C) The kaupapa and client's aspirations D) The use of specific traditional carvings
A) From the 1960s B) During the 1920s C) Since the 1980s D) Only within the last decade
A) Sleeping quarters B) Sacred place C) Shared kitchen D) Meeting ground
A) Whare ora (health centre) B) Sports stadium C) Private hotel D) Retail shopping centre
A) One large space with a porch and one door and window in front B) A circular building with multiple entrances C) Multiple small rooms surrounding a central courtyard D) An open-air pavilion with no walls
A) Private suburban homes and apartment complexes B) Public parks and industrial warehouses C) International airports and government embassies D) Prisons, schools and universities
A) Futuna Chapel B) Te Papa Museum C) Auckland War Memorial Museum D) Sky Tower
A) Hosting events like weddings and funerals B) Serving as a commercial marketplace C) Exclusively for government council meetings D) Providing permanent housing for the general public
A) Educational research centres B) Religious temples C) Traditional fishing ports D) Domestic Māori villages
A) Strict adherence to building codes B) Acute shortage of dwellings C) Abundance of modern apartments D) Uniform architectural styles
A) Rapid population growth B) Excessive land availability C) Lack of building materials D) Resistance from Indigenous communities
A) Western industrial standards B) Global architectural trends C) Governmental administrative preferences D) Indigenous Australian cultural norms
A) High costs of specialized labor B) Lack of political will to build C) Failure to recognize diverse cultural housing needs D) Use of environmentally friendly materials
A) Reduction of construction costs B) Easier maintenance of households C) Improvement of infrastructure D) Disruption of social organization
A) Personal storage capacity B) Avoidance behaviours C) Internet connectivity D) Parking space requirements
A) Independently B) Using standardized blueprints C) Through a singular national design D) By copying urban city models
A) Ten B) Nine C) Twelve D) Seven
A) Provision of luxury appliances B) Ability to wash people C) Installation of high-speed internet D) Large garden spaces
A) Market resale value B) Investment potential C) Domiciliary behaviours D) Construction speed
A) Improved family bonding B) Better financial management C) Increased housing longevity D) Severe stress on the occupants
A) Eradicating all natural wildlife B) Increasing the number of windows C) Reducing impact of pests or vermin D) Painting exterior walls
A) Culture-specific architecture B) European colonial designs C) Standardized global housing D) Only historical ruins
A) Wiltja B) Teepee C) Yurt D) Igloo
A) Basalt rocks B) Steel beams C) Concrete slabs D) Brick and mortar
A) Tall pyramid B) Flat rectangle C) Elongated egg shape D) Perfectly square
A) Cane B) Bamboo C) Plastic piping D) Iron bars
A) Synthetic shingles B) Animal fur C) Sod cladding D) Wood paneling
A) Mid 1970s B) Early 2000s C) Late 1990s D) Late 1980s
A) Yirrkala, Northern Territory B) Redfern, Sydney C) Perth, Western Australia D) Halls Gap, Victoria
A) Derby, Western Australia B) Tennant Creek, Northern Territory C) Halls Gap, Victoria D) Bathurst, New South Wales
A) Parliament House B) West Kimberley Regional Prison C) The National Gallery of Australia D) Sydney Opera House
A) University of Sydney B) University of Newcastle C) University of Melbourne D) Edith Cowan University
A) Modernist urban design B) Universal design C) Country-centred design D) Colonial design
A) Sarah Lynn Rees B) Paul Pholeros C) Timothy O'Rourke D) Elizabeth Grant
A) Tipi B) Pit house C) Igloo D) Longhouse
A) Wickiup ruins B) Igloo foundations C) Longhouse pits D) Quiggly holes
A) Red cedar planks B) Animal hides C) Whale bones D) Snow blocks
A) A stone statue B) A garden arch C) A heraldric pole D) A totem pole made of ice
A) Whale bones B) Bison hides C) Red cedar D) Saplings
A) Linda Kennedy B) Craig Kerslake C) Rueben Berg D) Paul Memmott
A) The Canadian Prairies B) The Interior of British Columbia C) Southern Ontario D) The far north
A) Exacerbated overcrowding B) A decline in farming C) A shortage of food supplies D) Increased migration to rural areas
A) Patrick Stewart B) Ryan Walker C) Wanda Dalla Costa D) Brian Porter
A) Alfred Waugh B) Étienne Gaboury C) David Fortin D) Douglas Cardinal
A) Vancouver B) Winnipeg C) Gatineau D) Regina
A) David Fortin B) Wanda Dalla Costa C) Douglas Cardinal D) Ryan Walker
A) Wendake B) Vancouver C) Winnipeg D) Thunder Bay
A) Circular B) Square C) Rectangular D) Triangular
A) Gabled B) Domed C) Pyramid-like D) Flat
A) Clay B) Metal C) Plants D) Stone
A) Fruit trees B) Vegetables C) Thorny bushes D) Scented flora
A) They lacked roofs B) They were set higher C) They were round D) They were made of brick
A) Government offices B) Shopping malls C) Churches D) Schools
A) Rural areas are evolving at a slower rate B) They are evolving at the same rate C) Rural areas are evolving faster D) Rural areas have stopped evolving
A) Le Petit Case B) La Flèche Case C) La Grande Case D) Le Clan Case
A) Pine wood B) Oak wood C) Palm wood D) Houp wood
A) Katana B) Kanak C) Behno D) Ixoe
A) The ancestor B) The living chief C) The clan's protector D) A bad spirit
A) Banana leaf B) Coconut leaf C) Pandanus leaf D) Houp wood strips
A) Katana B) Grande Case C) Ixoe D) Behno
A) Paul Vincent B) Alban Bensa C) Jean-Marie Tjibaou D) Renzo Piano
A) Ten B) Thirty-four C) Eight D) Twelve
A) Cedar B) Oak C) Pine D) Iroko
A) Eight B) Four C) Ten D) Fifty-seven
A) Tinu Peninsula B) A remote tribal village C) New Caledonia mountain range D) Nouméa City Center
A) A French explorer B) Téâ Kanaké C) The first tribal chief D) The god of the lagoon
A) 1853 B) 1998 C) 2005 D) 1989
A) 8 B) 4,000 C) 57 D) 341
A) Oceanic boat structures B) Traditional Kanak Grand Hut C) Colonial French architecture D) Modern industrial warehouses
A) Jean-Marie Tjibaou B) Paul Vincent C) Renzo Piano D) Alban Bensa
A) Totara-bark shingles B) Palm fronds C) Metal sheets D) Clay tiles
A) Cooking house B) Sleeping house C) Storage of fishing nets D) Carved meeting house
A) Backbone B) Head C) Ribs D) Heart
A) Kāuta B) Whare puni C) Marae D) Pātaka
A) It supports the roof as a ridge beam B) It acts as the front door C) It represents the heart D) It functions as a storage rack
A) Toes B) Hair C) Eyes D) Fingers
A) Carved meeting house B) Ancestor tomb C) Fish drying rack D) Sleeping hut
A) A mythological figure who created the moon B) A Polynesian navigator from Tahiti C) Ruatepupuke D) A local chief from the North Island central plateau
A) As lungs B) As ribs C) As fingers D) As arms
A) 10 metres x 10 metres B) 5 metres x 5 metres C) 2 metres x 3 metres D) 1 metre x 2 metres
A) For better insulation B) To honor the earth deity C) To hide from enemies D) To provide extra storage space
A) Bahay Kubo B) Kamalig C) Batalan D) Bai
A) Koror Bai B) Elders' Bai C) Ancient Bai D) Airai Bai
A) Silong B) Kisame C) Bubungan D) Ventanilla
A) Elsdon Best B) Elisapeta Heta C) Rewi Thompson D) John Scott
A) Wall dividers made of bamboo B) Traditional floor mats C) Roof vents for smoke D) Smaller windows underneath larger ones
A) Bahay na Bato B) Batalan C) Kamalig D) Nipa Hut
A) The floor B) The wall frame C) The ceiling D) The window frame
A) Elsdon Best B) Jade Kake C) Fleur Palmer D) Deidre Brown
A) Arcticus B) Sápmi C) Scandia D) Nordland
A) Greenland B) Russia C) Canada D) Scandinavia
A) Lavvu poles meet, goahti poles remain separate B) Lavvu is square, goahti is circular C) Lavvu poles are wood, goahti poles are stone D) Lavvu has a chimney, goahti has an open hole
A) Three forked poles B) Size and quantity of poles C) Straight poles D) Guy-wire
A) Zero B) Two C) One D) Three
A) Elongated B) Circular C) Rectangular D) Hexagonal
A) Turf shelter B) Reindeer hut C) Bread box lavvu D) Arctic dome
A) Four B) Eight C) Two D) Six
A) 180° B) 130° C) 45° D) 90°
A) Heavy wool felt B) Reindeer leather C) Plastic sheeting D) Canvas |