Musical theatre - Quiz
A) Andrew Lloyd Webber B) Claude-Michel Schönberg C) Jason Robert Brown D) Stephen Sondheim
A) Chicago B) New York City C) Los Angeles D) London
A) Hamilton B) The Phantom of the Opera C) Wicked D) Mamma Mia!
A) Stephen Sondheim B) Tim Rice C) Lin-Manuel Miranda D) Andrew Lloyd Webber
A) Cats B) Chicago C) A Chorus Line D) Oliver!
A) Spring Awakening B) Jersey Boys C) Rent D) Mamma Mia!
A) Sunset Boulevard B) Miss Saigon C) Les Misérables D) Matilda
A) Muppets B) Marionettes C) Puppets D) Dummies
A) Sweeney Todd B) Rent C) Cats D) Company
A) Something Rotten! B) The Producers C) Rent D) Hairspray
A) Idina Menzel B) Kristin Chenoweth C) Sutton Foster D) Lea Michele
A) Maury Yeston B) Stephen Schwartz C) Andrew Lloyd Webber D) John Kander
A) Sunday in the Park with George B) Avenue Q C) Cats D) The Book of Mormon
A) Richard Rodgers B) Frank Loesser C) Leonard Bernstein D) Jerome Kern
A) Opera and dance B) Comedy and drama C) Melodrama and pantomime D) Tragedy and farce
A) Andrew Lloyd Webber, Stephen Sondheim, Rodgers and Hammerstein B) Kander and Ebb, Leonard Bernstein, Cole Porter C) Jacques Offenbach, Gilbert and Sullivan, Harrigan and Hart D) Lin-Manuel Miranda, Claude-Michel Schönberg, Tim Rice
A) The Fantasticks (1960) B) Show Boat (1927) C) Hair (1967) D) My Fair Lady (1956)
A) Two acts with one short intermission B) Three acts with two intermissions C) Four acts with multiple intermissions D) One act without any intermission
A) Dance numbers B) Musical scenes C) Recitatives D) Operatic arias
A) To manage the financial aspects of the production B) To handle marketing and public relations C) To interpret and creatively characterize the production through direction, music, choreography, and design D) To write the script and compose all the music
A) Spoken dialogue only B) Prose recitation C) Silent acting D) Song and dance
A) Historical events B) Films C) Novels D) Plays
A) To serve as intermission entertainment B) To replace all spoken dialogue C) To provide background music only D) To be used especially in sung-through musicals
A) Songs are crafted to suit characters and their situations B) There are no reprises in the score C) Dance numbers replace all dialogue D) All songs are unrelated to the story
A) Camelot B) Wicked C) Evita D) Hamilton
A) Four to six hours B) Less than one hour C) Over eight hours D) One and a half to three hours
A) Costumes B) Set design C) Lighting D) Marketing strategies
A) Silent mime performances B) Dancing C) Poetry recitations D) Choreographed fight scenes
A) Versatile artist B) Dual talent C) Triple threat D) Multi-skilled performer
A) Symphony orchestra B) Chamber orchestra C) String quartet D) Pit orchestra
A) Japanese theatre B) Indian musical theatre C) Chinese opera D) Taiwanese opera
A) Musical revues B) Junior versions or minimusicals C) Full-length productions D) Opera adaptations
A) Parsi theatre B) Yakshagana C) Indian classical theatre D) Bollywood musicals
A) Children's operas B) Youth plays C) School musicals D) Minimusicals
A) Chinese theatre B) Indian classical dance C) Japanese Noh D) Taiwanese opera
A) Japanese Noh B) Taiwanese opera C) Indian theatre D) Chinese opera
A) Mesopotamia B) Ancient Greece C) Roman Empire D) Egyptian Civilization
A) Roman law B) Christian parables C) The liturgy D) Greek mythology
A) Commedia dell'arte B) Ballad operas C) Court masques D) Opera buffa
A) Henry Purcell B) John Blow C) Jean-Baptiste Lully D) Johann Strauss II
A) In Town B) The Belle of New York C) A Trip to Chinatown D) Florodora
A) In Town B) A Chinese Honeymoon C) Florodora D) The Quaker Girl
A) Sally; Lady, Be Good B) The Merry Widow C) Shuffle Along D) Naughty Marietta
A) Operetta B) Ragtime C) Minstrel show routines D) Comic opera
A) Candida B) Major Barbara C) Pygmalion D) Saint Joan
A) The Boys from Syracuse (1938) B) Babes in Arms (1937) C) I'd Rather Be Right (1937) D) On Your Toes (1936)
A) I Do! I Do! B) The Fantasticks C) Hello, Dolly! D) Celebration
A) Irving Berlin B) Leonard Bernstein C) Cole Porter D) Rodgers and Hammerstein
A) Evita B) Jesus Christ Superstar C) A Chorus Line D) Cabaret
A) George Abbott B) Ira Gershwin C) Orson Welles D) Cole Porter
A) German operettas B) French comédie musicale C) British tradition D) American innovation
A) Mame B) La Cage aux Folles C) Dear World D) Hello, Dolly!
A) Company B) Sunday in the Park with George C) Assassins D) Pacific Overtures
A) Michael Bennett B) Gower Champion C) Jerome Robbins D) Bob Fosse
A) My Fair Lady B) West Side Story C) The Music Man D) Gypsy
A) John Philip Sousa B) George M. Cohan C) Seymour Hicks D) Reginald De Koven
A) The King and I B) Carousel C) South Pacific D) The Sound of Music
A) The Black Domino/Between You, Me and the Post B) Evangeline or The Belle of Arcadia C) The Mulligan Guard Picnic D) The Black Crook
A) Oh, Kay! B) Shuffle Along C) Sally; Lady, Be Good D) No, No, Nanette
A) Company B) Anyone Can Whistle C) Merrily We Roll Along D) A Funny Thing Happened on the Way to the Forum
A) 1934 B) 1939 C) 1938 D) 1936
A) Frederick Loewe B) Jule Styne C) Leonard Bernstein D) Stephen Sondheim
A) Chu Chin Chow B) Shuffle Along C) The Beggar's Opera D) Irene
A) Evita B) A Chorus Line C) Jesus Christ Superstar D) Dreamgirls
A) Ira Gershwin B) Oscar Hammerstein II C) Cole Porter D) George and Ira Gershwin
A) P.T. Barnum B) John Gay C) Lewis Hallam D) William Hallam
A) Dreamgirls B) Godspell C) The Wiz D) Pippin
A) The Fantasticks B) Hello, Dolly! C) Fiddler on the Roof D) Man of La Mancha
A) Irene B) Chu Chin Chow C) The Maid of the Mountains D) Shuffle Along
A) John Philip Sousa B) Lionel Monckton C) Sidney Jones D) Ivan Caryll
A) Porgy and Bess (1935) B) The Cradle Will Rock (1937) C) Of Thee I Sing (1931) D) As Thousands Cheer (1933)
A) The Magic Deer B) The Black Crook C) H.M.S. Pinafore D) Seven Sisters
A) Gilbert and Sullivan works B) George Edwardes's productions C) Harrigan and Hart pieces D) New York musical comedies
A) A Chinese Honeymoon B) In Town C) The Arcadians D) Florodora
A) Color film B) Synchronized sound C) Widescreen format D) 3D technology
A) The Rocky Horror Show B) Two Gentlemen of Verona C) Evita D) Jesus Christ Superstar
A) Mary Martin B) Julie Andrews C) Rex Harrison D) Gypsy Rose Lee
A) Sunday in the Park with George B) Into the Woods C) Company D) Assassins
A) The King and I B) South Pacific C) Oklahoma! D) Carousel
A) Arthur Laurents B) George Abbott C) Meredith Willson D) Trevor Nunn
A) Comic operas B) Minstrel shows C) Tin Pan Alley D) Operettas
A) Anything Goes (1934) B) Me and My Girl C) Hellzapoppin (1938) D) The Band Wagon (1931)
A) Reginald De Koven B) George Edwardes C) Seymour Hicks D) John Philip Sousa
A) Agnes de Mille B) Jerome Robbins C) Michael Bennett D) Bob Fosse
A) Fiddler on the Roof B) West Side Story C) Parade D) Ragtime
A) Anything Goes (1934) B) The Cradle Will Rock (1937) C) Hellzapoppin (1938) D) On Your Toes (1936)
A) George Edwardes B) Reginald De Koven C) John Philip Sousa D) Charles Frohman
A) Shuffle Along B) Princess Theatre shows C) The Merry Widow D) Ziegfeld Follies
A) Victor Herbert B) Jerome Kern C) Ivor Novello D) Cole Porter
A) Hair B) Fiddler on the Roof C) Man of La Mancha D) Hello, Dolly!
A) Evangeline or The Belle of Arcadia B) H.M.S. Pinafore C) Dorothy D) The Mikado
A) Tea for Two B) Someone to Watch Over Me C) Naughty Marietta D) Fascinating Rhythm
A) Ethel Merman B) Noël Coward C) Adele Astaire D) Irving Berlin
A) Oscar Straus B) Victor Herbert C) Franz Lehár D) P. G. Wodehouse
A) My Fair Lady B) Salad Days C) Guys and Dolls D) The Boy Friend
A) A Chinese Honeymoon B) Florodora C) The Belle of New York D) The Geisha
A) Rex Harrison B) Gypsy Rose Lee C) Julie Andrews D) Mary Martin
A) Hello, Dolly! B) We Need a Little Christmas C) I Am What I Am D) Mame
A) Barbra Streisand B) Lee Remick C) Zero Mostel D) Angela Lansbury
A) Follies B) Pacific Overtures C) Company D) Sweeney Todd |
Created with That Quiz —
where test making and test taking are made easy for math and other subject areas.