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A) The time period during which a story was written B) The time it takes to read a story out loud C) The duration of events in a narrative D) The time a reader spends on a story
A) An all-knowing narrator B) A non-participating narrator C) A third-person narrator D) A narrator who is a character in the story
A) The moral of a story B) The chronological order of events in a story C) The setting of a story D) The characters in a story
A) The pace at which events in a story unfold B) The time it takes to read a story out loud C) The setting of a story D) The climax of a story
A) Gérard Genette B) Mikhail Bakhtin C) Roland Barthes D) Tzvetan Todorov
A) To convey the moral lesson of a story B) To provide the sequence of events in a story C) To introduce the characters in a story D) To describe the setting of a story
A) A first-person narrator B) An unreliable narrator C) A narrator who is not a character in the story D) A reflective narrator
A) The climax of a story B) The perspective through which a narrative is presented C) The moral of a story D) The setting of a story
A) Heteroglossia B) Fabula C) Narrativity D) Syuzhet
A) "It was the best of times..." B) "Once upon a time..." C) "Call me Ishmael." D) "For sale: baby shoes, never worn"
A) Astrid Ensslin B) Marie-Laure Ryan C) Jonathan Culler D) Roland Barthes
A) The Dialogic Imagination B) The Craft of Fiction C) Poetics D) Communications
A) Roland Barthes B) The Russian Formalists C) Tzvetan Todorov D) Jonathan Culler
A) Literary criticism B) Conversation analysis dealing with spontaneous verbal interaction C) Film theory D) Study of graphic novels
A) Literary narratives B) Film narratives C) Videogame narratives D) Non-literary narratives
A) Biology B) Chemistry C) Physics D) Linguistics
A) Victory Garden B) Pale Fire C) Hamlet on the Holodeck D) Cybertext: Perspectives on Ergodic Literature
A) Roland Barthes B) Gérard Genette C) William Labov D) Vladimir Propp
A) Graphic novels B) Film criticism C) Literary theory D) Sociolinguistics
A) The Sims B) Minecraft C) Final Fantasy D) World of Warcraft
A) Cognitive and structural narratology B) Fabula and syuzhet analysis C) Thematic and modal narratology D) Story and discourse examination
A) Espen Aarseth B) Stuart Moulthrop C) Arthur Danto D) Janet Murray
A) Arthur Danto B) Roland Barthes C) Peter Brooks D) Robert Sternberg
A) Ryan, Ensslin, Culler B) Propp, Bremond, Greimas C) Barthes, Genette, Todorov D) Sternberg, Ricoeur, Baroni
A) Shlomith Rimmon-Kenan B) Arthur Danto C) Robert Sternberg D) A.J. Greimas
A) Cyberdramas B) Life-simulators C) Hypertext fiction D) Ergodic literature
A) Multi-narrative structures B) Nonergodic literature C) Traditional linear narratives D) Unicursal labyrinths
A) Arthur Danto B) Roland Barthes C) Peter Brooks D) Robert Sternberg
A) Semiotics B) Literary theory C) Graph theory D) Film theory
A) Physics B) Mathematics C) Videogames D) Chemistry
A) Ergodic literature B) Unicursal labyrinth C) Nonergodic literature D) Multicursal labyrinth
A) Arthur Danto B) Janet Murray C) Espen Aarseth D) Stuart Moulthrop
A) Linear narratives B) Traditional novels C) Texts without a typical plot structure D) Ergodic literature |