Peking Opera - Quiz
  • 1. What is Peking Opera also known as?
A) Tokyo Opera
B) Seoul Opera
C) Beijing Opera
D) Shanghai Opera
  • 2. In which country did Peking Opera originate?
A) Korea
B) India
C) Japan
D) China
  • 3. What are the four main types of roles in traditional Peking Opera?
A) Hero, Villain, Sidekick, Clown
B) Sheng, Dan, Jing, Chou
C) King, Queen, Prince, Princess
D) Lead, Supporting, Extra, Comic
  • 4. Which performer type in Peking Opera often plays female roles?
A) Dan
B) Sheng
C) Chou
D) Jing
  • 5. What is the distinctive feature of Peking Opera costumes?
A) Bright neon colors
B) Minimalist design
C) Elaborate embroidery
D) Modern clothing
  • 6. Which art forms have influenced Peking Opera?
A) Street dance, graffiti art, rap music
B) Film, video games, literature
C) Ballet, classical music, sculpture
D) Opera, acrobatics, martial arts, music
  • 7. What is the purpose of the traditional Peking Opera vocal style?
A) Sing in a modern pop style
B) Speak the lines without melody
C) Yell loudly to be heard
D) Convey emotions with stylized techniques
  • 8. Who is considered one of the most famous Peking Opera performers of all time?
A) Maria Callas
B) Bruce Lee
C) Michael Jackson
D) Mei Lanfang
  • 9. In which dynasty did Peking opera arise?
A) Ming dynasty
B) Mid-Qing dynasty (1644–1912)
C) Han dynasty
D) Tang dynasty
  • 10. What are the four main role types in Peking opera?
A) Nan, Nu, Laosheng, Wusheng
B) Shēng (gentlemen), dàn (women), jìng (rough men), chǒu (clowns)
C) Wang, Gong, Daomadan, Xiaosheng
D) Laodan, Xiaosheng, Wudan, Chou
  • 11. What are the two main melodies in Peking opera?
A) Kunqu and Qinqiang
B) Jingju and Pingxi
C) Gaoqiang and Xiaoling
D) Xīpí and èrhuáng
  • 12. What was Peking opera denounced as during the Cultural Revolution?
A) Modernist and progressive
B) Traditional and artistic
C) Feudalistic and bourgeois
D) Westernized and capitalist
  • 13. What was the original name for Peking opera when Beijing was known as Beiping?
A) Píhuáng
B) Pingxi or Pingju
C) Guójù
D) Jingju
  • 14. Which emperor's birthday did the Four Great Anhui Troupes perform for in 1790?
A) Jiaqing Emperor
B) Yongzheng Emperor
C) Kangxi Emperor
D) Qianlong Emperor
  • 15. What form of Mandarin is closest to the archaic form used in Peking opera?
A) Cantonese
B) Shanghainese
C) Beijing Mandarin
D) Zhongyuan Mandarin dialects of Henan and Shaanxi
  • 16. What was the name of the first female Peking-opera troupe in Shanghai?
A) Founded by Li Maoer
B) Founded by Yu Zhenting
C) Founded by Qianlong Emperor
D) Founded by Kangxi Emperor
  • 17. What year was the ban on female performers in Peking opera lifted?
A) 1923
B) 1912
C) 1930
D) 1905
  • 18. What year did the Chinese Communist Party come to power in mainland China?
A) 1949
B) 1956
C) 1966
D) 1976
  • 19. Who was responsible for using opera as a tool to transmit communist ideology during the Cultural Revolution?
A) Lin Biao
B) Jiang Qing
C) Deng Xiaoping
D) Mao Zedong
  • 20. What percentage of musical dramas staged in China were traditional plays from the pre-Communist era according to a study in People's Daily?
A) 50 percent
B) Over 80 percent
C) 30 percent
D) 10 percent
  • 21. What was the status of Peking opera in Taiwan after the retreat of the Republic of China in 1949?
A) Complete ban
B) Minor art form
C) Cultural taboo
D) Political symbolism
  • 22. What was one reason for sending a Taiwanese opera group to a mainland cultural event in 1990?
A) To promote Peking opera
B) To showcase modern art
C) To emphasize 'Taiwaneseness'
D) To celebrate Chinese unity
  • 23. What happened to performances of works beyond the eight model plays during the Cultural Revolution?
A) They were performed without any changes.
B) They were allowed only in heavily modified form.
C) They were completely banned.
D) They became more popular than model plays.
  • 24. What was one change made to traditional Peking opera performances during the Cultural Revolution?
A) Visible stage assistants were eliminated.
B) All operas were performed in English.
C) Piano accompaniment was introduced.
D) Traditional costumes were replaced with modern ones.
  • 25. What has made it difficult for Peking opera to capture modern life?
A) Absence of traditional themes
B) Lack of talented performers
C) The archaic language requiring electronic subtitles
D) Excessive use of modern elements
  • 26. Which country did Mei Lanfang first perform Peking opera in outside of China?
A) Soviet Union
B) Hong Kong
C) United States
D) Japan
  • 27. What was the initial duration planned for Mei Lanfang's American tour before it was extended?
A) One week
B) Three weeks
C) Two weeks
D) Four weeks
  • 28. Which theater in New York City had to relocate Mei Lanfang's performances due to high demand?
A) Metropolitan Opera House
B) Carnegie Hall
C) Broadway Theatre
D) 49th Street Theater
  • 29. What is the term for the 'false foot' technique developed by Wei Changsheng?
A) Zhao Kuang-yin
B) Mei Lanfang
C) Cai ciao
D) Guan Gong
  • 30. Which role type did Mei Lanfang pioneer that combines the status of qingyi with the sensuality of huadan?
A) Huashan
B) Daomadan
C) Laodan
D) Wudan
  • 31. Which subtype of Sheng represents young male characters with a high, shrill voice?
A) Laosheng
B) Xiaosheng
C) Hongsheng
D) Wusheng
  • 32. Which subtype of Sheng is known for roles involving combat and acrobatics?
A) Hongsheng
B) Laosheng
C) Wusheng
D) Xiaosheng
  • 33. Which style of Peking opera is considered more improvisational?
A) Erhuang
B) Xipi
C) Neither is improvisational
D) Both are equally improvisational
  • 34. How many works are included in the repertoire of Peking opera?
A) Nearly 1,400
B) Over 3,000
C) Around 500
D) About 2,000
  • 35. How many main types of song lyrics are there in Peking opera?
A) Six
B) Ten
C) Eight
D) Four
  • 36. What do actors use to represent fire on stage?
A) Fire flags
B) Vehicle flags
C) Water flags
D) Wind flags
  • 37. What is the basic principle of breath control in Chinese opera?
A) Breath is controlled by the chest and shoulders
B) Breath should be expelled quickly to maintain energy
C) Breath must always be visible to the audience
D) Strong centralized breath moves the melodic-passages (zhong qi xing xiang)
  • 38. What direction do performers move to upon entering the Peking opera stage?
A) Center south
B) Center west
C) Center north
D) Center east
  • 39. Which subtype of Dan role is known for playing virtuous and elite women?
A) Qingyi
B) Wudan
C) Daomadan
D) Huadan
  • 40. Who is known for developing the 'false foot' technique to simulate bound feet in Peking opera?
A) Guan Gong
B) Otis Skinner
C) Mei Lanfang
D) Wei Changsheng
  • 41. What color robes do emperors and their families wear in Peking opera?
A) Red
B) Blue
C) Purple
D) Yellow
  • 42. Which director is known for using formal norms of Peking opera in his films?
A) Chen Kaige
B) Li Wenrui
C) Fei Mu
D) King Hu
  • 43. Which item is used to demonstrate environments and can be a backdrop?
A) Tea sets
B) Ink slabs
C) Cloth backdrops
D) Horsewhips
  • 44. What is a criticism of the portrayal of Peking opera in 'Farewell My Concubine'?
A) One-dimensional
B) Lacking authenticity
C) Overly complex
D) Too modernized
  • 45. Name one of the ten masterpieces of traditional Peking opera repertoire mentioned by Li Wenrui.
A) Othello
B) Macbeth
C) Hamlet
D) The Drunken Concubine
  • 46. What do cloth backdrops represent in Peking opera?
A) Forests
B) Mountains
C) Deserts
D) Cities
  • 47. In which film does Peking opera serve as a backdrop for the protagonists' romance?
A) The Great Wall
B) Crouching Tiger, Hidden Dragon
C) Farewell My Concubine
D) Hero
  • 48. What does walking in a large circle symbolize in Peking opera?
A) A change of heart
B) A character's confusion
C) A festive celebration
D) Traveling a long distance
  • 49. What type of roles do Chou characters typically play in a Beijing opera troupe?
A) Secondary roles
B) Leading roles
C) Primary roles
D) Supporting roles
  • 50. What has lessened in Chou performances due to the standardization of Beijing opera?
A) Costume elaborateness
B) Use of percussion instruments
C) Improvisation
D) Vocal timbre
  • 51. Which Jing role is known for combining martial and acrobatic skills?
A) Wujing
B) Dongchui
C) Jiazi
D) Chou
  • 52. What is the ideal basic timbre for Peking opera songs described as?
A) A deep bass tone
B) A controlled nasal tone
C) A flat monotone
D) A bright soprano tone
  • 53. Which skill is not one of the four main skills used by Peking opera performers?
A) Dance-acting
B) Painting
C) Combat
D) Song
  • 54. Which Shakespearean play has been adapted for Peking opera?
A) Othello
B) Macbeth
C) A Midsummer Night's Dream
D) Hamlet
  • 55. Which of the following is not a school based on famous Peking opera performers?
A) Chen Jialin school
B) Mei Lanfang school
C) Ma Lianliang school
D) Cheng Yanqiu school
  • 56. What is the term for traditional plays performed before 1949?
A) Chuantongxi
B) Xiandaixi
C) Xinbian de lishixi
D) Daxi
  • 57. What is the principle that contrasts with Mo in Peking opera?
A) Literal representation
B) Detailed accuracy
C) Suggestive, not imitative
D) Realistic portrayal
  • 58. What is the primary melodic instrument in Peking opera?
A) The jinghu, a small high-pitched two-string spike fiddle
B) The daluo, a large gong
C) The yueqin, a circular bodied plucked lute
D) The naobo, a type of drum
  • 59. In Peking opera, what does a character sweeping their eyes in a circular motion symbolize?
A) Expressing confusion
B) Being surprised
C) Looking at an object above them
D) Searching for someone
  • 60. Which type of Jing role is characterized by being a loyal general with a black face?
A) Wujing
B) Jiazi
C) Dongchui
D) Chou
  • 61. How many methods are there for articulating consonants in Peking opera?
A) Four
B) Six
C) Three
D) Five
  • 62. At what age did students traditionally start their apprenticeship in Peking opera before the 20th century?
A) At age ten
B) After completing basic education
C) A young age
D) In their teenage years
  • 63. Which of the following is an example of a simple decoration in qimo?
A) Projectors
B) Table curtains
C) Spotlights
D) Microphones
  • 64. Which of the following is NOT an example of qimo props?
A) Fans
B) Tea and wine sets
C) Microphone
D) Candlesticks
  • 65. How are motions and poses typically manipulated in Peking opera to avoid sharpness?
A) Straight lines
B) Rigid postures
C) Sharp angles
D) Roundness
  • 66. Which of the following is NOT a type of flag used in Peking opera?
A) Rectangular flag with 'commander'
B) Food flag
C) Square flag with 'marshal'
D) Water flag
  • 67. What shape are traditional Peking opera stages?
A) Square
B) Round
C) Triangular
D) Rectangular
  • 68. What additional component do modern Peking opera performance schools include besides traditional arts?
A) Business management
B) Foreign languages
C) Academic studies
D) Military training
  • 69. What does a whip signify in Peking opera?
A) A sword
B) A chariot
C) A horse
D) A dragon
  • 70. How many rhyme categories are identified in Peking opera?
A) Thirteen
B) Ten
C) Fifteen
D) Eight
  • 71. How many basic shapes are there for the throat and mouth in Peking opera?
A) Four
B) Three
C) Six
D) Five
  • 72. When were new Peking opera training schools reopened after being closed due to the Japanese invasion?
A) 1945
B) 1952
C) 1960
D) 1935
  • 73. Which Jing face color represents soundness and integrity?
A) Red
B) Yellow
C) Black
D) White
  • 74. Who usually delivers an exit speech?
A) The main protagonist
B) A supporting character
C) The director
D) An audience member
  • 75. What type of training method was introduced in schools after 1930?
A) More rigorous methods
B) Self-directed learning
C) Less harsh methods
D) Military-style discipline
  • 76. Which Jing role is played by a skilled actor and involves complex characters?
A) Jiazi
B) Dongchui
C) Wujing
D) Chou
  • 77. How long was the traditional apprenticeship period for Peking opera students before the 20th century?
A) Seven years
B) Five years
C) Ten years
D) Three years
  • 78. Which of the following is a traditional qimo item used in Peking opera?
A) Tablets
B) Smartphones
C) Laptops
D) Handkerchiefs
  • 79. Which director used Peking opera in a number of plays within Westernized, realistic plots?
A) Li Wenrui
B) King Hu
C) Chen Kaige
D) Fei Mu
  • 80. What do actors shake to represent waves on stage in Peking opera?
A) Fire flags
B) Water flags
C) Vehicle flags
D) Wind flags
  • 81. What controversial form of brothel arose due to the ban on female performers in early Beijing opera?
A) Xianggong tangzi
B) Guan Gong
C) Zhao Kuang-yin
D) Mei Lanfang
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