Ancient Greek sculpture - Quiz
A) 2nd century BC B) Mid-2nd century BC C) Late 1st century BC D) 4th century BC
A) Pericles B) Alexander the Great C) The Roman emperors D) Julius Caesar
A) Charioteer of Delphi and Venus de Milo B) Colossus of Rhodes and Laocoön and His Sons C) Winged Victory of Samothrace and the Pergamon Altar D) Dying Gaul and the Jockey of Artemision
A) Athens B) Alexandria C) Sparta D) Delphi
A) Persia B) India C) Egypt D) Rome
A) Increasing naturalism B) Strictly mythological figures C) Abstract representations D) Geometric patterns
A) Government officials B) Temple priests C) Wealthy families D) Foreign conquerors
A) Materials for idealized art ran out B) There was a shift toward realistic figures and naturalism C) A royal decree banned idealized art D) Artists forgot classical techniques
A) New Hellenistic cities requiring statues of gods and heroes for temples and public places B) The banning of bronze working C) A shortage of skilled stonecutters D) Mass production for foreign export
A) Because sculpture became a mass-produced industry B) Because the Romans protected them C) Because they were buried in dry Egyptian sand D) Because they were made of gold
A) Total emotionlessness B) Greater expressions of power and energy C) Increased humility and serenity D) Rigid frontality
A) Jockey of Artemision B) Charioteer of Delphi C) Laocoön and His Sons D) Winged Victory of Samothrace
A) Charioteer of Delphi B) Venus de Milo C) Dying Gaul D) Jockey of Artemision
A) Late 3rd century BC B) Late 1st century BC C) Mid-2nd century BC D) About 230 BC
A) Late 1st century BC B) 336 BC C) About 230 BC D) Mid-2nd century BC
A) Austere and rigid B) Abstract and geometric C) Far more sensuous and emotional D) Unaltered and traditional
A) Winged Victory of Samothrace B) Colossus of Rhodes C) Pergamon Altar D) Laocoön and His Sons
A) A preference for miniature carvings B) A return to geometric abstraction C) An increase in scale D) An exclusive focus on pottery
A) Venus de Milo B) Winged Victory of Samothrace C) Pergamon Altar D) Colossus of Rhodes
A) Earthquakes and looting B) Intentional burial by citizens C) Fires and floods D) Religious iconoclasm by Romans
A) Antioch B) Alexandria C) Heracleum D) Pergamum
A) Isis B) Athena C) Artemis D) Aphrodite
A) Rigid, austere, and masculine B) Abstract and geometric C) Unusually sensual, detailed, and feminine D) Stylized in strict traditional Egyptian form
A) Japan B) Britain C) China D) India
A) Heracleum B) Samothrace C) Pergamum D) Ai-Khanoum
A) Hellenistic realism B) Classical austerity C) Greco-Buddhist art D) Greco-Egyptian syncretism
A) Kerala B) Bengal C) Punjab D) Goa
A) Roman traders traveling the silk road B) Egyptian sculptors exiled to India C) Alexander the Great's generals D) Greek converts to Buddhism who settled there
A) 2nd century BC B) 4th century AD C) 336 to 323 BC D) Late 1st century BC
A) As an era of purely abstract invention B) As a return to strict Egyptian traditions C) As the absolute pinnacle of classical perfection D) As a decline in quality and originality
A) Three B) Four C) Two D) Five
A) Landscapes B) Animals C) The human form D) Geometric patterns
A) Vase painting B) Coin engraving C) Painted panels D) The statue
A) Limestone B) Bronze C) Terracotta D) Marble
A) Classical period B) Roman period C) Hellenistic period D) Archaic period
A) Cast bronze B) Wood C) Limestone D) Terracotta
A) Gold figurines B) Glass figurines C) Terracotta figurines D) Ivory figurines
A) Acrolithic sculptures B) Relief sculptures C) Chryselephantine sculptures D) Terracotta figurines
A) Marine archaeology or trawling B) Mountain hiking C) Pyramid exploration D) Desert excavations
A) Ivory B) Bronze C) Limestone D) Gold
A) Plaster or stucco B) Painted wood C) Gold leaf D) Real human hair
A) Feather crowns B) Glass eyes C) Jewellery D) Cloth garments
A) Acid rain washed away the paint B) Ancient Greeks preferred monochrome art C) Original pigments have deteriorated D) They were carved from pure white marble
A) Homer's Iliad B) Sophocles's Oedipus Rex C) Hesiod's Theogony D) Euripides's Helen
A) No B) Only one survives in Athens C) Yes, several are in the British Museum D) Yes, but only fragments survive
A) The Lefkandi Centaur B) The Mantiklos Apollo C) The Delphi Charioteer D) The Karditsa warrior
A) Herakles B) Achilles C) Odysseus D) Apollo
A) Hammering sheet metal B) Lost-wax technique C) Direct carving D) Sand casting
A) Syria B) Egypt C) Persia D) Mesopotamia
A) Votive offerings left at Panhellenic sanctuaries B) Burial goods for wealthy kings C) Decorations for private homes D) Trade goods exported to Italy
A) Athens B) Olympia C) Sparta D) Thebes
A) The Winged Victory of Samothrace B) The Parthenon Marbles C) The Venus de Milo D) The Karditsa warrior
A) Lefkandi Centaur B) Karditsa warrior C) Delphi Charioteer D) Mantiklos "Apollo"
A) Athens B) Sparta C) Olympia D) Thebes
A) A list of Olympic victors B) A prose dedication to a king C) A hexameter inscription D) A description of a battle
A) Neo-Attic B) Proto-Daedalic C) Hellenistic D) Post-Geometric
A) Running winged goddess B) Reclining warrior C) Standing nude male youth D) Seated male elder
A) Kori B) Kouroses C) Kouroi D) Kourae
A) Koris B) Kouroi C) Kores D) Korai
A) Seated woman B) Seated old man C) Mounted horseman D) Standing nude female
A) Argos B) Athens C) Auxerre D) Anafi
A) The kouros B) The bronze relief C) The seated woman D) The architectural relief
A) Exaggerated mythical proportions B) Naturalistic poses C) Symmetrical rigidity D) Abstract geometric patterns
A) The Aphrodite of Knidos B) The Kritios Boy C) The Statue of Zeus at Olympia D) The Charioteer of Delphi
A) The entirety B) Roughly three quarters C) Roughly one quarter D) Roughly half
A) Lysistratus B) Lysippos C) Phidias D) Praxiteles
A) Phidias B) Lysistratus C) Praxiteles D) Lysippos
A) Pliny the Elder B) Pausanias C) Thucydides D) Herodotus
A) Phidias B) Lysippos C) Lysistratus D) Praxiteles
A) Cast bronze B) Chryselephantine C) Terracotta D) Solid marble
A) Alexandria B) Constantinople C) Delphi D) Rome
A) A treasury B) A cult image C) A burial tomb D) An oracle chamber
A) Temenos B) Xoanon C) Acrolith D) Cella
A) Gold leaf B) Polished bronze C) White marble D) Ivory plaques
A) Ivory B) Bronze C) Wood D) Gold
A) A stone pillar B) An iron rod C) A solid bronze core D) A wooden framework
A) One B) Four C) Ten D) Two
A) Royal crowns B) Written name tags C) Identifying attributes D) Floral wreaths
A) Religious secrecy B) Easy transport in processions C) Cost-saving D) Maximum durability
A) Moderately stylized B) Highly sophisticated C) Basic and symbolic D) Crude and primitive
A) Tomb markers B) Temple cult images C) Athletic prize trophies D) Private garden decorations
A) 1.50 metres B) 2.35 metres C) 3.10 metres D) 0.85 metres
A) Aeneas B) Diomedes C) Odysseus D) Phidias
A) Homer's Iliad B) Virgil's Aeneid C) Ovid's Metamorphoses D) Hesiod's Theogony |
Created with That Quiz —
where a math practice test is always one click away.