Ludwig van Beethoven - Quiz
A) Vienna B) Berlin C) Bonn D) Paris
A) Flute B) Cello C) Piano D) Violin
A) Symphony No. 5 B) Symphony No. 9 C) Symphony No. 3 D) Symphony No. 7
A) Romantic and Modern B) Classical and Romantic C) Medieval and Renaissance D) Baroque and Classical
A) Symphony No. 5 B) Symphony No. 7 C) Symphony No. 3 D) Symphony No. 9
A) Immortal Beloved B) Eroica Symphony C) Für Elise D) Moonlight Sonata
A) 1750 B) 1869 C) 1799 D) 1827
A) Fidelio B) Madama Butterfly C) The Magic Flute D) Carmen
A) French B) Austrian C) German D) Italian
A) C minor B) F sharp major C) A flat minor D) D major
A) Maréchal Ney B) Napoleon Bonaparte C) Joachim Murat D) Louis-Alexandre Berthier
A) Johann van Beethoven B) Franz Rovantini C) Joseph Haydn D) Christian Gottlob Neefe
A) Pianist B) Conductor C) Composer D) Kapellmeister (music director)
A) Bonn B) Vienna C) Berlin D) Munich
A) Johann IX Philipp von Walderdorff B) Karl Alois, Prince Lichnowsky C) Clemens August D) Heinrich Keverich
A) Cousin B) Grandson through his father, who worked at the court C) Nephew D) Son
A) Helene von Breuning B) Nannerl Mozart C) Julie Guicciardi D) Maria Magdalena Keverich
A) 16 December 1770 B) 15 December 1770 C) 17 December 1770 D) 18 December 1770
A) Moonlight Sonata B) Pathétique Sonata C) Appassionata Sonata D) Waldstein Sonata
A) 65 B) 50 C) 60 D) 56
A) Fifth Symphony B) Ninth Symphony C) Bagatelle "Für Elise" D) Eroica Symphony
A) Middle period (1802–1812) B) Romantic period C) First period (up to 1802) D) Late period (1812–1827)
A) Fifth Symphony B) Eroica Symphony C) Ninth Symphony D) Große Fuge
A) Joseph Haydn B) Christian Gottlob Neefe C) Court concertmaster Franz Anton Ries D) Johann van Beethoven
A) First Symphony B) Pathétique Sonata C) Eroica Symphony D) Moonlight Sonata
A) Christian Gottlob Neefe B) Franz Wegeler C) Count Ferdinand von Waldstein D) Maximilian Franz
A) Three piano sonatas (WoO 47) B) Ballet Musik zu einem Ritterballett (WoO 1) C) Cantata for the death of Joseph II (WoO 87) D) A set of keyboard variations (WoO 63)
A) Breuning B) Haydn C) Waldstein D) Kurfürst
A) Helene von Breuning B) Johann van Beethoven C) Anna von Schaden D) Maximilian Franz's wife
A) Count Ferdinand von Waldstein B) Franz Wegeler C) Maximilian Franz D) Christian Gottlob Neefe
A) Fidelio B) Musik zu einem Ritterballett (WoO 1) C) Leonore D) Die Geschöpfe des Prometheus
A) 1789 B) 1785 C) July 1787 D) 1792
A) Gluck B) Mozart C) Paisiello D) Beethoven
A) 1792 B) Late 1790 C) 1785 D) 1789
A) 1801 B) 1794 C) 1789 D) 1792
A) Haydn B) Albrechtsberger C) Salieri D) Mozart
A) Violin B) Piano C) Cello D) Flute
A) Ferdinand B) Kaspar C) Joseph D) Carl
A) Ignaz Moscheles B) Ferdinand Ries C) Daniel Steibelt D) Joseph Wölfl
A) It was universally praised without criticism B) The players ignored the soloist entirely C) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung D) Beethoven's works were not well received
A) Bechstein B) Steinway & Sons C) Yamaha D) Broadwood
A) Julie Guicciardi B) Therese Malfatti C) Josephine Brunsvik D) Antonie Brentano
A) Pasqualatihaus (Mölker Bastei 8) B) Beethoven House, Bonn C) Beethoven Museum in Probusgasse D) Beethovenhalle
A) Anton Schindler B) Johann Nepomuk Hummel C) Ludwig van Beethoven D) Michael Umlauf
A) Meeresstille und glückliche Fahrt B) The Ruins of Athens C) Egmont D) King Stephen
A) Schubert and Liszt B) Bach and Handel C) Haydn and Mozart D) Hummel or Muzio Clementi
A) Therese Obermayer B) A local magistrate C) His brother Johann D) Kaspar's widow Johanna
A) Mature composers B) Contemporary virtuosos C) Rank beginners D) Classical masters
A) 1827 B) 1863 C) 1888 D) 1900
A) 1845 B) 1880 C) 2007 D) 2001
A) Leipzig B) Heiligenstadt C) Cassel D) Vienna
A) Schubert's B) Haydn's C) Beethoven's D) Mozart's
A) Romantic era B) Renaissance era C) Classical era D) Baroque-era
A) The Allegretto movement B) Wellington's Victory (Op. 91) C) Seventh Symphony, Op. 92 D) Battle Symphony
A) "Es muss sein!" B) "Der schwer gefasste Entschluss" C) "Muss es sein?" D) "Von Herzen—Möge es wieder—Zu Herzen gehn!"
A) A grand piano B) A lifetime membership C) £100 D) A portrait of him
A) Archduke Rudolf B) E. T. A. Hoffmann C) Czerny D) General Bernadotte
A) Johann Albrechtsberger B) Antonio Salieri C) Joseph Haydn D) Ignaz Schuppanzigh
A) Migraine B) Tuberculosis C) Rheumatism D) Inflammatory fever
A) 1000 florins B) 2000 florins C) 1500 florins D) 500 florins
A) Dramatic Quartet B) Heroic Quartet C) Quartetto serioso D) Tragic Quartet
A) Budapest B) Vienna C) Munich D) Berlin
A) Tuberculosis B) A sudden illness C) Migraine D) Rheumatism
A) He had a passionate correspondence with her. B) She rejected his proposal. C) They were married. D) He never wrote to her.
A) Tinnitus B) Otosclerosis C) Auricular infection D) Neural degeneration
A) 1824 B) 1815 C) 1802 D) 1798
A) Vienna B) Bonn C) St. Louis D) San Jose, California
A) In early 1813 B) On 8 November 1812 C) On 15 November 1815 D) In late 1820
A) 100 ducats per quartet. B) 30 ducats per sonata. C) 75 ducats per quartet. D) 50 ducats per quartet.
A) Rudolph B) Bettina Brentano C) Antonie Brentano D) Goethe
A) 1818 B) 1820 C) 1822 D) 1816
A) Anselm Hüttenbrenner B) Heinrich Anschütz C) Joseph Mayseder D) Franz Schubert
A) The influence of other composers B) A fourth period C) New compositions D) Sub-periods
A) August 1845 B) 2001 C) 1880 D) 2007
A) Cholera B) Malaria C) Tuberculosis D) Pneumonia
A) Schindler B) Andreas Ignaz Wawruch C) Dr. Malfatti D) Karl
A) Rudolph B) Schindler C) Michael Umlauf D) Karl Holz
A) Michael Umlauf B) Johann Friedrich Rochlitz C) Rudolph D) Louis XVIII
A) Composed between 1806–1814 B) Op. 18 quartets C) Composed from 1824 onwards D) Opp. 59, 74 and 95
A) An die Hoffnung B) Der glorreiche Augenblick (The Glorious Moment) C) Wellington's Victory D) Fidelio
A) It was a financial success B) It resulted in significant losses for Beethoven C) Beethoven had to refund all the tickets D) The concert was cancelled due to poor ticket sales
A) Ninth Symphony B) Diabelli Variations C) String Quartet No. 14 D) Missa solemnis
A) As supportive and caring. B) As minimal and uninvolved. C) As indifferent and distant. D) As an overbearing manner.
A) Duke of Wellington B) Moscheles C) Johann Nepomuk Maelzel D) Ludwig Spohr
A) Egmont Overture B) F minor String Quartet C) Meeresstille und glückliche Fahrt D) Archduke Trio
A) "With God's guidance." B) "O Man, help thyself." C) "To success!" D) "For art and glory."
A) Conversation books B) Sign language C) Telegraph D) Braille
A) Teplitz (now Teplice) B) Berlin C) Munich D) Vienna
A) The professional orchestra B) The art of conducting C) Recording technology D) The modern piano
A) Johann Sebastian Bach B) George Frideric Handel C) Wolfgang Amadeus Mozart D) Claudio Monteverdi
A) Piano sonatas B) Concertos C) The quartets D) Symphonies
A) 5,000 B) 10,000 C) 20,000 D) 50,000
A) Cramer B) Schlesinger C) Haslinger D) Artaria
A) 1823 B) 1825 C) 1826 D) 1824
A) Munich B) Berlin C) Vienna D) Baden
A) "Veni, vidi, vici" B) "Plaudite, amici, comoedia finita est" C) "To be or not to be" D) "Carpe diem"
A) Mass in C, Op. 86 B) Violin Concerto C) Archduke Trio Op. 97 D) Fidelio
A) François I B) Louis XVIII C) Napoleon Bonaparte D) Charles X
A) Maelzel B) Thomas Broadwood C) Nannette Streicher D) Alois Jeitteles
A) The decade 1820–1830 B) The decade 1810–1819 C) The decade 1790–1800 D) The decade 1780–1790 |
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