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A) Full orchestra B) Violin solo C) Cello and piano D) Piano solo
A) 48 B) 27 C) 12 D) 24
A) Only major keys B) Natural keys only C) All major and minor keys D) Only minor keys
A) Three B) Five C) Four D) Two
A) C major B) A♭ major C) E♭ minor D) C♯ minor
A) 1835 B) 1839 C) 1834 D) 1838
A) C♯ minor B) E♭ minor C) A♭ major D) C major
A) No. 27 B) No. 25 C) No. 24 D) No. 26
A) No. 26 B) No. 28 C) No. 25 D) No. 27
A) 1839 B) 1845 C) 1835 D) 1838
A) 1835 and 1839 B) 1840 and 1842 C) 1830 and 1832 D) 1825 and 1828
A) Warsaw B) Vienna C) Mallorca D) Paris
A) Valldemossa, Mallorca B) Rome, Italy C) Paris, France D) Berlin, Germany
A) To attend a music festival B) To open a piano factory C) To meet Johann Sebastian Bach D) To escape the damp Paris weather
A) Beethoven B) Bach C) Mozart D) Schumann
A) The Well-Tempered Clavier B) The Art of Fugue C) The Goldberg Variations D) The Brandenburg Concertos
A) Sand B) Busoni C) Kessler D) Pleyel
A) Camille Pleyel B) Alfred Cortot C) Joseph Christoph Kessler D) Ferruccio Busoni
A) Joseph Christoph Kessler B) Camille Pleyel C) Anna Yesipova D) George Sand
A) Composer and violinist B) Music critic C) Concert promoter D) Piano-maker and publisher
A) 5,000 francs B) 500 francs C) 2,000 francs D) 1,000 francs
A) The French edition B) The Spanish edition C) The English edition D) The German edition
A) Twenty years B) Ten years C) Fifteen years D) Five years
A) Op. 10 B) Op. 45 C) Op. 31 D) Op. 28
A) As a vocal accompaniment B) To describe an introductory piece C) As a standalone symphony D) As a grand finale
A) As orchestral arrangements B) As self-contained units C) As improvisatory warm-ups D) As unfinished sketches
A) The traditional fugue structure B) The standard sonata form C) A genre title often associated with improvisatory 'preluding' D) The rules of classical harmony
A) According to keys separated by rising semitones B) Using a circle of fifths C) By major keys only D) In random order
A) A circle of fifths B) Rising semitones C) Descending chromatic scale D) Random key ordering
A) Its relative minor B) The dominant key C) Its parallel major D) The subdominant key
A) Four B) Twenty-four C) Twelve D) Two
A) 50 years B) 25 years C) 10 years D) 100 years
A) Alfred Cortot B) Ferruccio Busoni C) Anna Yesipova D) Joseph Christoph Kessler
A) 1915 B) 1876 C) 1839 D) 1926
A) Camille Pleyel B) Ferruccio Busoni C) Anna Yesipova D) Alfred Cortot
A) 1926 B) 1876 C) 1839 D) 1915
A) Magnetic audio tape B) Vinyl LP records C) Digital compact discs D) Piano rolls for the Duo-Art label
A) Joseph Christoph Kessler B) Anna Yesipova C) George Sand D) Alfred Cortot
A) 1915 B) 1939 C) 1926 D) 1876
A) No B) Only to the minor keys C) Yes, to half of them D) Yes, to all of them
A) Wolfgang Amadeus Mozart and Joseph Haydn B) Robert Schumann and Franz Liszt C) Johann Sebastian Bach and Ludwig van Beethoven D) Johannes Brahms and Felix Mendelssohn
A) 24 bars B) 12 bars C) 45 bars D) 90 bars
A) Number 9 B) Number 17 C) Number 7 D) Number 28
A) 1 minute 25 seconds B) 90 seconds C) 12 seconds D) 45 seconds
A) Jeremy Nicholas B) Anatole Leikin C) Jeffrey Kresky D) Henry Finck
A) Golden dreams B) Dies irae C) Eagle pinions D) Opus 28
A) Requiem mass B) Wedding mass C) Easter mass D) Christmas mass
A) Conceived in pairs B) As twenty-four completely random pieces C) As a single uninterrupted 90-bar piece D) As individual eagle pinions
A) Death B) Joy C) Romance D) Nature
A) Pairs of preludes B) Hidden quotes C) Connected motifs D) Formal thematic structure
A) Circle of fifths B) Ascending chromatic order C) Descending diatonic scale D) Random key sequence
A) Hummel B) Beethoven C) Schubert D) Mozart
A) 1841 B) 1815 C) 2002 D) 1834
A) Devil's Trill B) Allegro maestoso C) Andante spianato D) Presto con leggierezza
A) 1834 B) 1918 C) 2002 D) 1841
A) Alain Jacquon B) Joseph Christoph Kessler C) Jeffrey Kallberg D) Pierre Wolff
A) Pierre Wolff B) Harold C. Schonberg C) Alain Jacquon D) Jeffrey Kallberg
A) Joseph Christoph Kessler B) Hummel C) Giuseppe Tartini D) Johann Sebastian Bach
A) Geneva B) Newport C) Majorca D) Paris
A) Completely missing B) Neat and precise C) Written in gold ink D) Hastily scrawled
A) 1834 B) 1918 C) 1841 D) July 2002
A) Alain Jacquon B) Pierre Wolff C) Jeffrey Kallberg D) Harold C. Schonberg |