Venus de Milo - Quiz
A) Artemis of Milos B) Hera of Melos C) Athena of Melos D) Aphrodite of Melos
A) Pentelic marble B) Limestone C) Parian marble D) Bronze
A) Classical period B) Roman period C) Hellenistic period D) Archaic period
A) 2nd century BC B) 5th century BC C) 4th century BC D) 1st century AD
A) 1820 B) 1800 C) 1850 D) 1890
A) Rhodes B) Crete C) Milos D) Lesbos
A) The British Museum in London B) The Metropolitan Museum of Art in New York C) The Louvre in Paris D) The Vatican Museums in Rome
A) Aphrodite B) Athena C) Demeter D) Hera
A) Venus B) Minerva C) Juno D) Diana
A) Under 1.5 metres B) Over 2 metres C) Exactly 1.5 metres D) Over 3 metres
A) Both legs B) The head and arms C) The entire torso D) Both arms
A) A golden shield B) A marble hand holding an apple C) A stone helmet D) A bronze mirror
A) Praxiteles from Athens B) Polykleitos from Argos C) Phidias from Athens D) Alexandros from Antioch on the Maeander
A) The Surrealist movement B) The Cubist movement C) The Impressionist movement D) The Baroque movement
A) Around 50 B) Over 70 C) Exactly 20 D) Under 10
A) Sixth century BC B) First century BC C) Early fourth century BC D) Third century BC
A) Right leg B) Left leg C) Both legs equally D) Neither leg
A) Upward B) To the right C) Downward D) To the left
A) Earlobes B) Nose tip C) Eyes D) Lower lip
A) A filled hole B) An inscription C) A carved flower D) A bronze buckle
A) Painted red B) Polished smooth C) Covered in plaster D) Roughly chiseled
A) It is equal on both sides B) The back C) Right-hand side D) Left-hand side
A) In a cartoonish style B) In a strictly geometric style C) In a realistic style D) In an abstract style
A) More caricatured B) More abstract C) More idealised D) More realistic
A) Nothing inside B) A tongue C) Teeth D) Gold leaf
A) Both earlobes B) The left foot C) The entire left arm D) Tip of the nose
A) Gothic and Classical art B) Roman and Renaissance art C) Classical and Hellenistic art D) Archaic and Baroque art
A) Winckelmann B) Kenneth Clark C) John Ruskin D) Goethe
A) A gothic composition with modern effect B) A minimalist composition with rustic effect C) A classical composition with archaic effect D) A baroque composition with classic effect
A) A naval officer B) A French ambassador C) A Greek farmer D) A French sailor
A) French Empire B) British Empire C) Ottoman Empire D) Russian Empire
A) Olivier Voutier B) Auguste Debay C) Quatremère de Quincy D) Dumont D'Urville
A) Dumont D'Urville B) Auguste Debay C) Salomon Reinach D) Olivier Voutier
A) Assistant gymnasiarch B) Naval officer C) French ambassador D) Farmer
A) Olivier Voutier B) Auguste Debay C) Dumont D'Urville D) Louis XVIII
A) They are displayed in the Louvre B) They are in a private collection C) They are kept in Constantinople D) They are now lost
A) A circular temple B) A lime kiln C) A quadrangular niche D) A royal palace
A) Salomon Reinach B) Comte de Marcellus C) Christofilis Maggidis D) Quatremère de Quincy
A) Auguste Debay B) Dumont D'Urville C) Christofilis Maggidis D) Olivier Voutier
A) Athens B) Rome C) Constantinople D) Paris
A) Quatremère de Quincy B) Charles François de Riffardeau C) Comte de Marcellus D) Louis XVIII
A) Olivier Voutier B) Bakchios son of Satios C) Charles François de Riffardeau, marquis de Rivière D) Dumont D'Urville
A) Voutier B) Debay C) Reinach D) Marcellus
A) Louis XVI B) Charles X C) Napoleon Bonaparte D) Louis XVIII
A) Quatremère de Quincy B) Christofilis Maggidis C) Salomon Reinach D) Olivier Voutier
A) Hercules B) Hermes C) Apollo D) Mars
A) Because the original arms were completely lost B) Because the sculptor's signature was missing C) Because the entire Mars was missing D) Because the marble was too fragile
A) 1848 B) 1893 C) 1821 D) 1870
A) 1821 B) 1848 C) 1936 D) 1870
A) Toussaint-Bernard Éméric-David B) Quatremère de Quincy C) Adolf Furtwängler D) Paul Jamot
A) 1964 B) 1936 C) 1972 D) 2010
A) A plaster replica B) A statue of a Muse C) The Poseidon of Melos D) A painting by Leonardo da Vinci
A) 1964 B) 1936 C) 1914 D) 1870
A) 1980 B) 2010 C) 1972 D) 1999
A) Nemesis B) A Muse C) Amphitrite D) Sappho
A) Hermes B) Zeus C) Poseidon D) Apollo
A) Sappho B) Athena C) A Muse D) Nemesis
A) Quatremère de Quincy B) Toussaint-Bernard Éméric-David C) Adolf Furtwängler D) Comte de Clarac
A) Jean-Luc Martinez B) Adolf Furtwängler C) Quatremère de Quincy D) Marianne Hamiaux
A) Quatremere B) Kousser C) Martinez D) De Clarac
A) Martin Robertson B) Wilhelm Fröhner C) Christine Mitchell Havelock D) Kenneth Clark
A) Elizabeth Prettejohn B) Kenneth Clark C) Martin Robertson D) Kousser
A) Quatremere B) Hamiaux C) De Clarac D) Martinez
A) Acropolis B) Perge C) Sparta D) Knidos
A) Knidos B) Perge C) Acrocorinth D) Acropolis
A) Water B) A mirror C) A shield D) A window
A) Christine Mitchell Havelock B) Elizabeth Prettejohn C) Martin Robertson D) Kenneth Clark
A) No B) Yes C) Only Greek sources D) Only Roman sources
A) Because of financial bankruptcy B) Due to a devastating fire C) Through a trade with Berlin D) Following the Napoleonic Wars
A) 2010 B) 1822 C) 1820 D) 1876
A) Surrealist poets B) Romantic poets C) Parnassian poets D) Victorian poets
A) Technique of carving B) Historical discovery C) Political meaning D) Erotic appeal
A) Honoré Daumier B) Max Ernst C) Eugène Delacroix D) Max Klinger
A) Max Klinger B) Erwin Blumenfeld C) René Magritte D) Salvador Dalì
A) Max Ernst B) Eugène Delacroix C) Salvador Dalì D) Yves Klein
A) René Magritte B) Arman C) Max Ernst D) Salvador Dalì
A) The Judgement of Paris B) The Hallucinogenic Toreador C) The Connoisseur D) Liberty Leading the People
A) Yves Klein B) Clive Barker C) Jim Dine D) Arman
A) Joan Crawford B) Marlene Dietrich C) Jean Harlow D) Clara Bow
A) 1928 B) 2003 C) 1949 D) 1932
A) Jean Harlow B) Joan Crawford C) Clara Bow D) Marlene Dietrich
A) Kellogg's B) General Telephone & Electronics C) Levi's D) Mercedes-Benz
A) Elizabeth Prettejohn B) Fürtwangler C) Martin Robertson D) Kenneth Clark
A) Fürtwangler B) Kenneth Clark C) Martin Robertson D) De Clarac |
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