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A) A minor B) D major C) C major D) G major
A) They are extensively detailed B) They are marked only in the second movement C) There are no dynamic indications D) They are only present in the first movement
A) II. Tempo di Menuetto B) Both movements C) Neither movement D) I. Allegro ma non troppo
A) Rondo B) Theme and variations C) Sonata form D) Binary form
A) C major B) D major C) G major D) A minor
A) D minor, A minor, and E minor B) G minor, C minor, and F minor C) A major, E major, and B major D) C major, F major, and B flat major
A) Symphony No. 9 B) String Quartet No. 14 C) Symphony No. 5 D) Op. 20 Septet
A) A minuet B) A scherzo C) A fugue D) A sonata form
A) Slightly challenging B) Easy to manage C) Most critical D) Not important
A) He disliked the key of G major B) He lost the manuscript C) He found it too complex D) He reused one of its themes in a later piece
A) Sonata No. 8 B) Sonata No. 19 C) Sonata No. 14 D) Sonata No. 20
A) Binary form B) Theme and variations C) Simplified sonata form D) Rondo form
A) Homotonal B) Polytonal C) Heterotonal D) Monotonal
A) 1797 B) 1820 C) 1805 D) 1810
A) Three B) One C) Two D) Four
A) Facile Sonaten B) Leichte Sonaten C) Simplice Sonaten D) Kleine Sonaten
A) Joseph Haydn B) Ludwig van Beethoven C) Nikolaus Zmeskall D) Kaspar van Beethoven
A) Rondo B) Theme and variations C) Sonata-allegro D) Minuet and trio
A) Two B) Four C) Three D) Five
A) Frédéric Chopin B) Sviatoslav Richter C) Wolfgang Amadeus Mozart D) Franz Liszt
A) Theme and variations B) Sonata-allegro C) Sonata-rondo D) Rondo
A) Picardy third B) Diminished seventh C) Minor third D) Augmented sixth
A) Eight minutes B) Ten minutes C) Fifteen minutes D) Five minutes
A) First movement B) Development C) Slow movement D) Finale
A) Glenn Gould B) Daniel Barenboim C) Arthur Rubinstein D) Maurizio Pollini |