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A) Ashlar masonry B) Manueline vaulting C) Diamond rustication D) Mudéjar patterning
A) Palazzo dei Diamanti B) Casa dos Bicos C) Palacio de Jabalquinto D) Černín Palace
A) 1523 B) 1585 C) 1492 D) 1503
A) Milan B) Ferrara C) Moscow D) Catania
A) Classical B) Baroque C) Renaissance D) Late Gothic
A) Ashlar B) Bossage C) Mudéjar D) Isabelline
A) Spain B) Scotland C) Italy D) Portugal
A) Černín Palace B) Palazzo dei Diamanti C) Crichton Castle D) Castello Sforzesco
A) They were gilded B) They were smoothed over C) They were sharpened D) They were removed entirely
A) Pyramids and ridges B) Flat and concave C) Circles and squares D) Ashlar and bossage
A) Andalucia B) Moscow C) Central Europe D) Sicily
A) Isabelline Gothic B) Mudéjar C) Baroque D) Classical
A) Western Scotland B) Sicily and southern Italy C) Northern Portugal D) Northern Russia
A) 1660s B) 1500s C) 1580s D) 1490s
A) Byzantine mosaic styles B) Mudéjar styles C) Egyptian pyramid styles D) Classical Roman styles
A) Vermiculated B) Prismatic C) Smooth-faced D) Cyclopian
A) Horizontal joints B) Vertical joints C) Diagonal joints D) Mitered joints
A) The Latin word for little worm B) A Roman architectural term for mud C) The Greek word for rough stone D) The name of a famous mason
A) The blocks are arranged in a circular formation B) The shapes join up to form a network C) The stones are polished until they shine D) The patterns are carved in straight lines
A) Around the roofline B) On the lowest levels C) On the interior columns D) Only on the upper floors
A) The texture of animal fur B) Icicles or hanging pond-weed C) Jagged mountain peaks D) Worm tracks in mud
A) Blocks are left completely raw and un-cut B) Blocks are dressed at an angle near each edge C) Blocks are painted in vibrant colors D) Blocks are embedded with small gemstones
A) Vitruvius B) Palladio C) James Gibbs D) Serlio
A) The cutting in at the joints B) The texture of the stone face C) The type of stone used D) The weight of the individual blocks
A) Bands that are left un-smoothed B) Bands that run strictly horizontally C) Bands that dip diagonally around arches D) Bands that form a circular pattern
A) The use of metal tools to inlay patterns B) Indented patterns on the central area of stones C) A technique for polishing the edges D) The process of stacking rocks without mortar
A) The Foreign Office building B) The Parliament House C) The Turner Mausoleum D) The Palace of Versailles
A) Weathering affected some stones more than others B) The stones were carved over several centuries C) The stones were sourced from different quarries D) Different carvers interpreted patterns differently
A) Cornice B) Quoin C) Voussoir D) Ashlar
A) Marble B) Terracotta C) Stucco D) Concrete
A) Neoclassical B) Brutalist C) Mannerist D) Gothic
A) It is exclusively applied to interior walls B) It uses much larger and heavier stones C) It is significantly more uneven and rugged D) It is highly regular with flat faces
A) Federal Style B) Richardsonian Romanesque C) Art Deco D) International Style
A) High construction costs B) Structural incompatibility with stained glass C) Military power D) Religious modesty requirements
A) Voussoirs B) Aedicules C) Pilasters D) Quoins
A) Mullions B) Ashlar C) Quoins D) Voussoirs
A) Polished limestone B) Wood C) Granite D) Cast iron
A) 16th century B) 17th century C) 19th century D) 18th century
A) Modernist architecture B) Gothic architecture C) Palladian architecture D) Baroque architecture
A) Gunston Hall B) Shirley Plantation C) Monticello D) Mount Vernon
A) Sgraffito B) Fresco C) Gilding D) Mosaic
A) Germany B) Czech Republic C) Italy D) France
A) Fallingwater B) The White House C) The Alamo D) Monticello |