Horror film - Quiz
A) It draws the viewers' eyes to specific areas like walls or shadows. B) It prevents the viewer from seeing the protagonist. C) It creates a sense of comfort and safety. D) It highlights the primary monster in the scene.
A) They help the viewer feel completely safe. B) They reveal all hidden details in the scene. C) They provoke unease by obscuring details. D) They stop the audience from being startled.
A) It ensures the scene is not scary. B) It can trick viewers into feeling safe. C) It guarantees that no jump scare will happen. D) It makes the monster immediately visible.
A) Tilted camera angles, slow-motion, and reverse shots. B) Static wide shots and monotone audio. C) Extreme close-ups and silence. D) High-speed panning and bright colors.
A) Coldness and winter. B) Humor and lightheartedness. C) Blood, passion, or disease. D) Safety and neutrality.
A) To soothe the audience during intense moments. B) To explain the back-story of the antagonist. C) To surprise the viewer with an abrupt image change and loud sound. D) To provide a comedic break in the tension.
A) By removing all sound during the jump scare. B) By making the jump scare occur in bright daylight. C) By ensuring the jump scare happens at the very end of the film. D) By making audiences feel unease in anticipation of the scare.
A) To act as a portal for the protagonist to escape. B) To provide a clear view of the entire room. C) To allow the protagonist to see behind themselves easily. D) To create visual depth and build tension.
A) Because they reflect the viewer's own fears. B) Because mirrors are physically dangerous to actors. C) Because they have been conditioned by repeated use in the genre. D) Because mirrors are naturally associated with ghosts.
A) They create a sense of vastness and space. B) They make the scene appear more realistic. C) They induce anxiety by limiting the viewer's field of vision. D) They provide the viewer with more information.
A) As a tool to desensitize viewers to violence. B) As a safe space to confront and process fears. C) As a way to avoid all real-world anxieties. D) As an educational resource for survival skills.
A) Increased paranoia and long-term fear. B) Complete loss of ability to process trauma. C) Catharsis, relief, and a sense of empowerment. D) A desire to avoid social interaction.
A) To distract viewers from the scary visual elements. B) To provide a relaxing break from the imagery. C) To provide clues about the mystery. D) To make viewers feel threatened and uncomfortable.
A) Dissonance, atonality, and experiments with timbre. B) Classical piano concertos and opera. C) Cheerful melodies and major keys. D) Standard pop rhythms and acoustic guitar.
A) Monsters B) Romantic comedy subplots C) Documentary-style narration D) Musical dance numbers
A) Mary Shelley B) Mark Twain C) Jane Austen D) Charles Dickens
A) Alien (1979) B) The Lost Weekend (1945) C) Dracula (1931) D) Gaslight (1944)
A) Robin Wood B) Noël Carroll C) Gary D. Rhodes D) Andrew Tudor
A) Mystery B) Western C) Comedy D) Science fiction
A) Alien B) A Nightmare on Elm Street C) Dracula D) The Lost Weekend
A) Fans are in total agreement B) Collective belief has remained unchanged C) There is no simple collective belief D) Critics have defined it perfectly
A) Two B) Five C) Four D) Three
A) The Omen B) The Exorcist C) White Zombie D) Psycho
A) Large-scale destruction B) Individual mutilation C) Satanic rituals D) Psychological breakdown
A) White Zombie B) Night of the Living Dead C) Frankenstein D) The Birds
A) Alien invasions B) Satanic rites C) Serial killers D) Zombie uprisings
A) The Birds B) Psycho C) White Zombie D) The Exorcist
A) The Renaissance B) The Vietnam War C) The Industrial Revolution D) The Great Depression
A) Zombie apocalypse B) Slasher films C) Psychological thrillers D) Gothic romance
A) Night of the Living Dead B) Psycho C) The Omen D) White Zombie
A) Charles Derry B) Jeanne Hall C) Duane Jones D) Alfred Hitchcock
A) Dark Dreams B) Visual Horror C) The History of Fear D) Horror and Society
A) Mark Jancovich B) H. P. Lovecraft C) Adam Rockoff D) Isabel Pinedo
A) A Nightmare on Elm Street B) Henry: Portrait of a Serial Killer C) Halloween D) The Texas Chainsaw Massacre
A) Cosmic dread B) The collapse of the government C) Serial killers in holiday settings D) Bodily transformation
A) The 1950s B) The 1980s C) The 1990s D) The 1970s
A) David Cronenberg B) E. T. A. Hoffmann C) Charles Dickens D) H. P. Lovecraft
A) The Fly B) April Fool's Day C) Silent Night, Bloody Night D) Black Christmas
A) April Fool's Day B) Whoever Slew Auntie Roo? C) My Bloody Valentine D) Black Christmas
A) Holiday-themed slasher films B) Documentary-style horror C) Lovecraftian ghost stories D) Science fiction films
A) Shivers B) The Thing C) A Christmas Carol D) Henry: Portrait of a Serial Killer
A) The monster movie B) The Christmas ghost story C) The body horror narrative D) The scientific thriller
A) The Thing B) Halloween C) Henry: Portrait of a Serial Killer D) Shivers
A) Historical documentation B) Sexual arousal C) Artistic satire D) Social commentary
A) Wes Craven B) H. R. Giger C) Jean Rollin D) Clive Barker
A) I Spit on Your Grave B) Hostel C) Candyman D) Saw
A) United States B) Britain C) Germany D) France
A) Jean Rollin B) Clive Barker C) H. R. Giger D) Wes Craven
A) The Paris Opera House B) Théâtre du Grand-Guignol C) Broadway Theater D) The Globe Theatre
A) London B) Paris C) New York D) Rome
A) Last House on the Left B) Fascination C) Le Viol du Vampire D) Alien
A) Hellraiser B) Fascination C) I Spit on Your Grave D) Alien
A) Ice Nine Kills B) Slipknot C) Slayer D) Metallica
A) Futuristic space stations B) Cyberpunk digital landscapes C) Rural settings D) Dense urban metropolises
A) Scream B) The Wicker Man C) Halloween D) The Shining
A) Southeast Asia B) South America C) Northern Europe D) North America
A) First person view B) Animated perspective C) The perspective of a silent narrator D) Third person omniscient view
A) Vimeo B) Facebook C) MySpace D) YouTube
A) Paranormal Activity B) The Blair Witch Project C) Rec D) Cloverfield
A) The Exorcist B) Jaws C) The Haunted Castle D) Psycho
A) Stanley Kubrick B) John Carpenter C) Park Chan-wook D) Alfred Hitchcock
A) Candyman B) Get Out C) Nope D) Us
A) Pixar B) DreamWorks C) Hammer D) Disney
A) Slasher horror B) Cosmic horror C) Gothic horror D) Eco-horror
A) James Marriott B) Stanley Kubrick C) John Carpenter D) Alfred Hitchcock
A) Sharks B) Rats C) Frogs D) Birds
A) The Birds B) Jaws C) Willard D) Bug
A) 1981 B) 1975 C) 1963 D) 1972
A) Urban expansion B) Environmental movements C) Technological advancement D) Industrialization movements
A) Grizzlies B) Frogs C) Rats D) Sharks
A) Stanley B) James Marriott C) John Muir D) Alfred Hitchcock
A) Willard B) Ben C) The Birds D) Grizzly
A) An increase in giant monster tropes B) A move towards space horror C) A focus on mutated beasts D) A less-fantastic route
A) Frogs B) Stanley C) Ben D) Bug
A) Greenpeace B) The World Wildlife Fund C) The Audubon Society D) The Red Cross
A) Demonic possession B) Alien invaders C) Nature running amok D) Supernatural ghosts
A) Zombies B) Demons C) Aliens D) Serial killers
A) A machete B) A flickering light C) A bladed tool D) The rosary
A) Poison B) Psychological manipulation C) Supernatural curses D) Bladed tools
A) Scream B) Friday the 13th C) Paranormal Activity D) The Conjuring
A) The use of holy water B) Psychological disquiet C) A crime from the past D) A focus on heaven and hell
A) Bloody Beach B) The Record C) Nightmare D) Scream
A) The afterlife B) Cinematic dark rides C) Churches D) Campgrounds
A) Adam Rockoff B) PopMatters C) Ebert D) Bill Gibron
A) Religious rituals B) Non-physical beings C) Splatter gore D) Bladed tools
A) John Kenneth Muir B) Herman Cohen C) Andy Richards D) Alexandra West
A) Low-budget comedies B) Innovative artistic masterpieces C) Historical documentaries D) Cautionary conservative tales
A) Financial ruin B) Loss of status C) Social ostracization D) Death
A) Frankenstein's Daughter B) The Stepford Wives C) Crazy/Beautiful D) The Faculty
A) American International Pictures B) Paramount Pictures C) Universal Studios D) Hammer Film Productions
A) Frankenstein's Daughter B) A Nightmare on Elm Street C) Halloween D) The Stepford Wives |
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