Organology - Quiz
A) Sociology B) Organology C) Harmonics D) Ethnomusicology
A) Percussion B) Brass C) Woodwind D) String
A) Woodwind B) String C) Percussion D) Brass
A) Brass B) Percussion C) Keyboard D) Woodwind
A) Piano B) Trumpet C) Flute D) Harmonica
A) Harmonica B) Guitar C) Violin D) Trombone
A) Clarinet B) Trumpet C) Trombone D) French horn
A) Maracas B) Triangle C) Banjo D) Tuning fork
A) It comes from Ancient Greek words meaning 'instrument' and 'the study of'. B) It originates from Latin terms related to musical theory. C) The term was derived from early English musicology. D) It was coined in the 19th century by Curt Sachs.
A) Only Greek and Roman cultures provided detailed documents. B) A number of ancient cultures left such documents. C) No ancient cultures documented their musical instruments. D) Documents were exclusively from the Middle East.
A) Martin Agricola B) Curt Sachs C) Michael Praetorius D) Sebastian Virdung
A) It was the first to classify African instruments in Europe. B) It focused on modern Western instruments. C) It introduced the Hornbostel-Sachs classification system. D) It is a major source of knowledge about Renaissance musical instruments.
A) They invented new classification systems for instruments. B) They returned with instruments from different cultures, expanding collections. C) They wrote extensive treatises on musical theory. D) They focused solely on European instrument development.
A) 2000 B) 1985 C) 1990 D) 1975
A) The simplicity and universality of classification. B) The irrelevance of cultural perspectives. C) The accuracy of European classifications. D) The complexity due to socially influenced or structured ideas or belief systems.
A) Mykola Lysenko B) Leon Theremin C) Igor Matsiyevsky D) Bob Moog
A) Erich von Hornbostel B) Harry Partch C) Bart Hopkin D) Victor-Charles Mahillon
A) Three main types of sound production. B) Two categories: traditional and modern. C) Four chronological periods: early instruments, antiquity, the middle ages, and the modern occident. D) Five categories based on state-of-matter.
A) New York B) Melbourne C) Oxford D) London
A) Filaret Kolessa B) Adolf Chybinski C) Hnat Khotkevych D) Volodymyr Kushpet
A) Erich von Hornbostel B) Ivor Darreg C) Harry Partch D) Leo Fender
A) Bob Moog B) Curt Sachs C) Harry Partch D) Victor-Charles Mahillon
A) Curt Sachs and Erich von Hornbostel B) Sebastian Virdung and Martin Agricola C) Michael Praetorius and Sebastian Virdung D) Andre Schaeffner and Curt Sachs
A) Percussion B) Electrophones C) Chordophones D) Aerophones
A) On historical periods and regions. B) On the cultural origin of instruments. C) On the size and shape of instruments. D) On the state-of-matter of the sound-producing mechanism.
A) Curt Sachs B) Ivor Darreg C) Andre Schaeffner D) Leo Fender
A) The Gesellschaft der Freunde alter Musikinstrumente B) None of the above C) The Galpin Society D) The American Musical Instrument Society
A) Victor-Charles Mahillon B) Curt Sachs C) William Waterhouse D) Anthony Baines
A) Volodymyr Kushpet B) Adolf Chybinski C) Klyment Kvitka D) Filaret Kolessa
A) Early instruments, antiquity, middle ages, modern occident. B) Strings, percussion, woodwind, and brass. C) Idiophones, membranophones, chordophones, and aerophones. D) Solid, liquid, gas, and electrophones.
A) Igor Matsiyevsky B) Hnat Khotkevych C) Adolf Chybinski D) Volodymyr Kushpet
A) Mykola Lysenko B) Filaret Kolessa C) Klyment Kvitka D) Volodymyr Kushpet
A) Bart Hopkin B) Igor Matsiyevsky C) Harry Partch D) William Waterhouse
A) Bart Hopkin B) Ivor Darreg C) Leo Fender D) Erich von Hornbostel |
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