Die Forelle - Quiz
A) 1818 B) 1817 C) 1820 D) 1819
A) Five B) Four C) Six D) Seven
A) A lack of focus on the original score B) A natural command of the language of music C) An interest in changing the melody D) A desire to improve the composition
A) Tempo indication and the prelude-postlude B) Rhythm and lyrics C) Instrumentation and vocal range D) Harmony and key signature
A) Allegro B) Nicht zu geschwind C) Andante D) Mässig
A) Stadler, Ebner and Schindler collection in Lund B) The Schubert Institute C) Vienna National Archives D) Library of Congress
A) Josef Hüttenbrenner B) Anselm Hüttenbrenner C) Sylvester Baumgartner D) Franz Sales Kandler
A) Mässig B) Nicht zu geschwind C) Moderato D) Presto
A) Hungarian wine B) Coffee C) Austrian beer D) Schnapps
A) It was a stylistic choice B) He was sleepy and clumsy C) He wanted to destroy the work D) He was angry at Josef
A) It was lost B) It is in the Library of Congress C) It was destroyed by the Hüttenbrenners D) It is in the Stadler collection
A) 1818 B) 1819 C) 1821 D) 1820
A) The Lund collection B) Gertrude Clarke Whittall Foundation Collection C) The Vienna State Library D) The Hüttenbrenner family archive
A) Sylvester Baumgartner B) Franz Sales Kandler C) Anselm Hüttenbrenner D) Franz Liszt
A) Third movement B) Second movement C) Fourth movement D) First movement
A) Three B) One C) Two D) Four
A) Its lack of contemporary appeal B) Its meteoric rise on the charts C) Its failure in Vienna D) Its complex musical structure
A) An alarm clock tone B) A popular ringtone C) Ending tune of Samsung washing machines D) Background music in films
A) Vivid imagery and exuberance of melody B) The famous composers who transcribed it C) The complexity of the piano part D) The brevity of the piece
A) 1817 B) 1816 C) 1815 D) 1820
A) D 518 B) D 550 C) D 229 D) D 454
A) John Reed B) Schubart C) Ludwig Gotthard Kosegarten D) Johann Leopold Ebner
A) Beethoven B) Schubert C) Schubart D) Kosegarten
A) D 518 B) D 229 C) D 454 D) D 550
A) Die Erscheinung B) An den Tod C) Grablied auf einen Soldaten D) An die Musik
A) Der Tod und das Mädchen B) Die Erscheinung C) Coriolan Overture D) An mein Klavier
A) Schubart B) Schubert C) Beethoven D) Kosegarten
A) Early 1817 B) 9 December 1817 C) July 1815 D) 9 December 1820
A) Monetary payment B) Critical acclaim C) A manuscript copy D) Free publicity
A) The Trout B) The River C) The Warning D) The Fisherman
A) Schubert's Almanach B) The Musical Times C) Die Forelle Journal D) Schwäbischer Musenalmanach
A) C major B) A minor C) D major D) D-flat major
A) Binary form B) Sonata form C) Through-composed form D) Varied strophic form
A) Hohenasperg fortress B) A monastery C) Vienna D) A private residence
A) Five B) Three C) Four D) Two
A) Marrying fishermen B) Young men with rods C) Losing their innocence D) Fishing in forbidden waters
A) Thomas Kramer B) Franz Schubert C) Marjorie Wing Hirsch D) John Reed
A) Allegro moderato B) Andante con moto C) Vivace D) Etwas lebhaft
A) The third verse B) The final verse C) The first verse D) The second verse
A) Abgesang B) Durchführung C) Streichquartett D) Gesamtkunstwerk
A) By adding a piano coda B) By rewriting the lyrics C) By removing the stanza D) By changing the melody
A) Religious fervor B) Military precision C) Folklike naïveté D) Deep melancholy
A) They fade into a pianissimo B) They transition into a solo cadenza C) They double in length D) They are broken by startled rests |
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