A) Photography B) Literature C) Medicine D) Physics
A) 1850 B) 1826 C) 1787 D) 1700
A) Solarization B) Pixelation C) Daguerreotype D) X-Ray
A) London B) Paris C) Tokyo D) New York
A) Minimized it B) Revolutionized it C) Banned it D) Abandoned it
A) Sharpness B) Soft focus C) Monochrome D) Distortion
A) 1900 B) 1776 C) 1839 D) 1954
A) Gold B) Copper C) Silver D) Plastic
A) Rome, Italy B) London, UK C) Paris, France D) New York, USA
A) Bry-sur-Marne, France B) Lyon, France C) Cormeilles-en-Parisis, Val-d'Oise D) Paris, France
A) François Arago B) Nicéphore Niépce C) Henry Fox Talbot D) Samuel Morse
A) Daguerreotype B) Calotype C) Ambrotype D) Heliograph
A) Sodium thiosulfate B) Iodine crystals C) Salt water D) Mercury vapour
A) Half an hour B) A few seconds C) Ten minutes or more D) One minute
A) Abstract art B) Landscape views C) Portraits D) Still life photography
A) A painting technique B) An early film projector C) A form of theatrical illusion D) A type of camera
A) Literature and history B) Photography and chemistry C) Architecture, theatre design, and panoramic painting D) Mathematics and physics
A) Thirty B) Twenty-one C) Fifteen D) Ten
A) Place Vendôme B) Boulevard des Capucines C) Place du Château d'Eau (now Place de la République) D) Palais Garnier
A) 1839 B) 1841 C) 1824 D) 1822
A) Silver iodide B) Bitumen of Judea C) Mercury vapour D) Sodium thiosulfate
A) William Henry Fox Talbot B) Antoine Claudet C) Charles Marie Bouton D) Miles Berry
A) The ambrotype process B) The bitumen process C) The wet collodion process D) The calotype process
A) 25 °C B) 50 °C C) 75 °C D) 100 °C
A) The camera was broken B) Daguerreotypes were only for portraits C) Long exposure times made moving objects invisible D) People avoided being photographed
A) Tintype process B) Daguerreotype process C) Calotype process D) Ambrotype process
A) Germany B) France C) Italy D) The United Kingdom
A) 7 January 1839 B) 19 August 1839 C) 18 November 1787 D) 10 July 1851
A) Chartres Cathedral B) Holyroodhouse Chapel C) Trinity Chapel in Canterbury Cathedral D) Roslin Chapel
A) Louis B) François C) Nicéphore Jr. D) Isidore
A) William Henry Fox Talbot B) Charles Marie Bouton C) Niépce D) Antoine Claudet
A) Believing all were made by Daguerre B) Assuming they were color photographs C) Describing any image as 'a daguerreotype' D) Thinking they were digital prints
A) 'We need more time to perfect it.' B) 'It will revolutionize photography.' C) 'This is a simple trick.' D) 'I have seized the light – I have arrested its flight!'
A) 150,000 francs B) 200,000 francs C) 100,000 francs D) 300,000 francs
A) From multiple angles around the room. B) By walking through the scene. C) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. D) Using special glasses.
A) Showing vibrant colors B) Being easily duplicated C) Appearing as a faint negative when viewed with reflected light D) Having no reflective surface |