A) Yang Qian B) Araniko C) Kublai Khan D) Emperor Gaozong
A) In a forest near the capital B) On a stone tablet at the Imperial University C) In the Emperor's private palace D) On the walls of the city gate
A) To celebrate the Mongol conquest B) To document fashion trends C) To highlight the wealth of the dynasty D) To educate students as a moral code
A) To improve relations with foreign empires B) To claim his policies were supported by Confucianism C) To establish a new religion D) To increase tax revenues
A) Yang Qian B) Araniko C) Emperor Gaozong D) Confucius
A) Loyalty to the Mongol government B) Reclusion from nature C) Moral rightness D) Financial wealth
A) The absolute rejection of the Mongol government B) The potential choice between reclusion and political service C) A specific historical battle site D) The standard interior of a scholar's study
A) Pure ink wash without coloring B) Charcoal sketching and water wash C) Outlining with ink and reinforcing with color D) Oil layering and brush strokes
A) European B) Japanese C) Himalayan D) Song Chinese
A) They are more fluid and narrative B) They are highly symmetrical and rigid C) They avoid the use of color D) They focus heavily on emotional spirit
A) The blurred facial expressions of the sitters B) The inclusion of handwritten inscriptions C) Full frontal orientation and centered pupils D) The use of bright, contrasting landscapes
A) Song portraits lacked spirit compared to Yuan B) Yuan portraits lack the emphasis on the sitter's spirit C) Both emphasize the capture of spirit equally D) Yuan portraits emphasize spirit more than Song portraits
A) Choosing between moving to the Himalayas or staying in China B) Choosing between landscape and portrait painting C) Choosing between Buddhism and Confucianism D) Choosing between reclusion or new political careers
A) Pablo Picasso B) Gustav Klimt C) Henri Matisse D) Otto Dix
A) Amedeo Modigliani B) Oskar Kokoschka C) Max Beckmann D) Gustav Klimt
A) Max Ernst B) Oskar Kokoschka C) Otto Dix D) Francis Picabia
A) Grossly distorted B) Highly simplified C) Hyper-realistic D) Traditionalist
A) Vorticism B) Cubism C) French impressionism D) Dadaism
A) Self-portraits B) Abstract murals C) Sculptural reliefs D) Landscapes
A) Tamara de Lempicka B) Olga Boznańska C) Max Ernst D) George Bellows
A) George Bellows B) Robert Henri C) Andy Warhol D) Max Ernst
A) Lucian Freud B) Andrew Wyeth C) Chuck Close D) Jamie Wyeth
A) 247 B) 27 C) 100 D) 500
A) Francis Bacon B) Chuck Close C) Andy Warhol D) Lucian Freud
A) Streamlined Art Deco style B) Byzantine motifs C) Hyper-realistic detail D) Nightmarish quality
A) Jamie Wyeth B) Chuck Close C) Andy Warhol D) Alex Katz
A) Orange Shot Marilyn B) Orange Prince C) All Friends Together D) Benefits Supervisor Sleeping
A) Jamie Wyeth B) Andrew Wyeth C) Robert Henri D) George Bellows
A) Dadaists B) Expressionists C) Impressionists D) Vorticists
A) Lithography B) Digital art C) Sculpture carving D) Photography
A) Full-length B) Bust C) Three-quarter view D) Half-length
A) The mouth B) The ears C) The eyes D) The chin
A) Christina's World B) Portrait of Madame X C) Portrait of George Washington D) Mme. Charpentier and her children
A) One hundred B) About four C) Fifty D) One
A) A professional model B) A mirror C) A second painter D) A photograph
A) Gilbert Stuart B) Raphael C) Goya D) Cézanne
A) Three-quarter B) Bust C) Full-length D) Profile
A) A day B) A year C) A week D) A month
A) A client's dissatisfaction B) A masterpiece C) A commission success D) A lower price
A) China B) Greece C) Rome D) Egypt
A) 14th century BC B) 20th century BC C) 10th century BC D) 5th century BC
A) 100 AD B) Over 1000 BC C) 500 AD D) 2000 BC
A) Surviving canvas paintings B) Papyrus sketches C) Stone murals D) Literary evidence
A) Pliny the Elder B) Constantine I C) Alexander the Great D) Theodosius I
A) Byzantium, Turkey B) Fayum, Egypt C) Rome, Italy D) Athens, Greece
A) Alexander the Great B) Socrates C) Pliny the Elder D) Constantine I
A) It declined considerably B) It focused only on children C) It remained the same D) It increased significantly
A) Highly realistic individual portraits B) Fairly standardized images C) Caricatures of historical figures D) Abstract geometric shapes
A) Leonardo da Vinci B) Robert Campin C) Jan van Eyck D) Hildegard of Bingen
A) Henry VIII B) Cosimo I de' Medici C) Richard II of England D) Charles IV
A) Sandro Botticelli B) Rogier van der Weyden C) Raphael D) Michelangelo
A) Oil colors B) Tempera C) Fresco D) Watercolor
A) Canvas resists cracking better than wood B) Canvas allows for faster drying C) Canvas was easier to find D) Canvas was cheaper than wood
A) The Arnolfini Marriage B) School of Athens C) Ginevra de' Benci D) The Mona Lisa
A) Albrecht Dürer B) Lucas Cranach C) Hans Holbein the Younger D) Leonardo da Vinci
A) Richard II B) Sir Thomas More C) Henry VIII D) Charles IV
A) Exaggerated width B) Subtle asymmetry C) Absence of teeth D) Perfect symmetry
A) Masaccio B) Titian C) Leonardo da Vinci D) Raphael
A) Raphael B) Titian C) Agnolo Bronzino D) Leonardo da Vinci
A) Hans Holbein the Younger B) Albrecht Dürer C) Agnolo Bronzino D) El Greco
A) Diego Velázquez B) Frans Hals C) The Accademia degli Incamminati D) Rembrandt
A) Frans Hals B) Sir Anthony van Dyck C) Peter Paul Rubens D) Diego Velázquez
A) Using very long brushes B) Painting only the background C) Observing exact similitude of every feature D) Taking the general air
A) Gilbert Stuart B) Thomas Gainsborough C) John Trumbull D) William Hogarth
A) John Singleton Copley B) John Trumbull C) Charles Willson Peale D) Gilbert Stuart
A) Chiaroscuro B) Fresco C) Pointillism D) Impasto
A) Élisabeth Vigée-Lebrun B) François Boucher C) Peter Paul Rubens D) Hyacinthe Rigaud
A) Rosalba Carriera B) Madame de Pompadour C) Élisabeth Vigée-Lebrun D) Angelica Kauffman
A) Diaphanous gowns B) Heavy velvet robes C) Traditional armor D) Ornate floral corsets
A) Eugène Delacroix B) Jean-Auguste-Dominique Ingres C) Jacques-Louis David D) Gustave Courbet
A) Piotr Michałowski B) Théodore Géricault C) Honoré Daumier D) Francisco de Goya
A) Édouard Manet B) Thomas Eakins C) Gustave Courbet D) Mary Cassatt
A) John Singer Sargent B) Giovanni Boldini C) Cecilia Beaux D) Edgar Degas
A) Jane Avril B) Cecilia Beaux C) Mary Cassatt D) Edith Mahon
A) Pierre-Auguste Renoir B) Claude Monet C) Jacques-Louis David D) Honoré Daumier
A) Edgar Degas B) Gustave Courbet C) Thomas Eakins D) Édouard Manet
A) Qajar dynasty B) Ottoman Empire C) Mughal Empire D) Mongol Ilkhanids
A) Full-back view B) Frontal C) Three-quarter view D) Profile
A) Blindness B) Color blindness C) Dyslexia D) Poor eyesight
A) Jeweled turbans B) Crowns C) Halos D) Swords
A) The general public B) Religious leaders C) A very restricted circle D) Foreign dignitaries
A) Ilkhanid B) Ottoman C) Mughal D) Qajar
A) Chinese-looking features B) Highly individualized features C) European-looking features D) Abstract shapes
A) Buddhist clergy B) Confucian bureaucrats C) Taoist merchants D) Imperial palace guards
A) Foreign dignitaries B) The general public C) All government officials D) The most senior ministers
A) Physiognomy B) Mathematics C) Astronomy D) Calligraphy
A) Only upon the death of an emperor B) Once per decade C) Every month D) Once a year
A) Sima Yan B) Ruan Xian C) Rong Qiqi D) Gu Kaizhi
A) 96 inches B) 150 inches C) 200 inches D) 35 inches
A) Ten B) Seven C) Eight D) Four
A) Ruan Ji B) Ji Kang C) Liu Ling D) Rong Qiqi
A) Playing the flute B) Dancing C) Writing literature D) Drinking alcohol
A) A drum B) A harp C) A flute D) A zither
A) A vase B) A goblet C) An erbei D) A bowl
A) Sima Yan B) Gu Kaizhi C) Shan Tao D) Ruan Xian
A) Han dynasty B) Tang dynasty C) Song dynasty D) Ming dynasty
A) Taoism B) Confucianism C) Buddhism D) Shintoism
A) Temporal incorruptibility B) Chronological succession C) Imperial legitimacy D) Spiritual consonance
A) Twelve B) Fifteen C) Thirteen D) Ten
A) Informal costumes indicated wise scholars, formal dress indicated warriors B) All emperors were dressed in identical royal robes C) Informal costumes indicated bad rulers, formal dress indicated high achievements D) Only the Tang dynasty emperors wore formal attire |