A) Costume selection
B) Stage direction
C) Lighting design
D) The inner life of the actor

A) The character's overall goal
B) The director's vision
C) The setting of the play
D) The actor's personal goal

A) Method acting
B) Lee Strasberg's approach
C) System of acting
D) Meisner technique

A) Underlying meaning of dialogue
B) Stage movement
C) Director's notes
D) Actor's biography

A) Designing costumes
B) Creating conflicts
C) Establishing setting
D) Driving the action

A) To create depth for the character
B) To describe costume choices
C) To write the script
D) To outline stage directions

A) Rigid structure
B) Costume fittings
C) Exploration and experimentation
D) Learning lines

A) Real-life celebrities
B) Shakespeare's plays
C) Historical figures
D) Stanislavski's own experiences