A) Goodman Theatre B) Albert Theatre C) Broadway Theatre D) Apollo Theater
A) September to December 2024 B) July 8 to September 2024 C) June 25 to August 11, 2024 D) July 8 to August 11, 2024
A) August 11, 2024 B) June 25, 2024 C) July 8, 2024 D) September 2024
A) Christopher Oram B) Rob Ashford C) Tanya Birl-Torres D) Jon Weston
A) Toni-Leslie James B) Neil Austin C) Tanya Birl-Torres D) Rob Ashford
A) Sierra Boggess B) Steven Oxman C) J. Harrison Ghee D) Tom Hewitt
A) Tom Hewitt B) Charles Isherwood C) J. Harrison Ghee D) Chris Jones
A) Elisabeth Vincentelli B) Sierra Boggess C) J. Harrison Ghee D) Tanya Birl-Torres
A) Toni-Leslie James B) Jon Weston C) Christopher Oram D) Neil Austin
A) Toni-Leslie James B) Rob Ashford C) Jamie Platt D) Christopher Oram
A) Jon Weston & Christopher Oram B) Neil Austin & Jamie Platt C) Toni-Leslie James & Rob Ashford D) Tanya Birl-Torres & Tom Hewitt
A) Jamie Platt B) Jon Weston C) Christopher Oram D) Neil Austin
A) July 2024 B) June 2024 C) August 2024 D) September 2024
A) 2024 B) 2025 C) 2026 D) 2027
A) The Wall Street Journal B) Variety C) Chicago Tribune D) The New York Times
A) As intriguing as it is unwieldy B) Lacking credible conflict C) Too timid in the splashier scenes D) A triple threat performer at the top of their game
A) Steven Oxman B) Chris Jones C) Charles Isherwood D) Benjamin Payne
A) A lack of a credible conflict B) The absence of a 1980s jury deliberation C) The score was weaker than previous works D) Problems resulting from adapting a digressive novel
A) Georgia Public Broadcasting B) Variety C) Chicago Tribune D) The New York Times
A) The absence of showing a 1980s jury deliberating B) The lack of a credible conflict C) A weak musical score D) Too timid direction in splashier scenes
A) Steven Oxman B) Chris Jones C) Elisabeth Vincentelli D) Charles Isherwood
A) Poor set design B) The absence of a jury deliberation C) Timidity in the splashier scenes D) Its lack of a credible conflict
A) Elisabeth Vincentelli B) Benjamin Payne C) Steven Oxman D) Chris Jones
A) Brilliant and engaging B) Overall too timid C) Extremely bold and chaotic D) Overly theatrical and unwieldy
A) As intriguing as it is unwieldy, and so close to working B) Flawless from start to finish C) A complete failure with no redeeming qualities D) The best musical adaptation of the decade
A) John Berendt B) Jason Robert Brown C) Alfred Uhry D) Taylor Mac
A) Jason Robert Brown B) Alfred Uhry C) Taylor Mac D) John Berendt
A) 2012 B) 2014 C) 1994 D) 2023
A) Taylor Mac B) John Berendt C) Jason Robert Brown D) Alfred Uhry
A) Savannah B) London C) New York D) Chicago
A) Alfred Uhry B) Danny Hansford C) Jason Robert Brown D) John Berendt
A) Taylor Mac B) Jason Robert Brown C) Rob Ashford D) Alfred Uhry
A) Jason Robert Brown B) Johnny Mercer C) Alfred Uhry D) John Berendt
A) Stratton Leopold B) Tony Goldwyn C) Danny Hansford D) Taylor Mac
A) John Berendt B) Jason Robert Brown C) Leslie Uggams D) Alfred Uhry
A) Jessica Molaskey B) Taylor Mac C) Anne Hamburger D) Rob Ashford
A) July 2024 B) May 2012 C) February 2023 D) Late 2014
A) February B) December C) July D) May
A) Alfred Uhry quit the production B) The director demanded modern pop music C) Johnny Mercer's catalogue was copyrighted D) Mercer songs alone could not drive the story forward
A) Acrobatic stunts B) Break the fourth wall C) Singing without accompaniment D) Puppet performances
A) No B) Only the first act C) Yes D) Only the lyrics
A) Visited Savannah B) Studied Johnny Mercer's biography C) Conducted readings in Chicago D) Interviewed Alfred Uhry
A) Tony Goldwyn B) Rob Ashford C) Stratton Leopold D) Anne Hamburger
A) Mercer's B) Hansford's C) Williams's D) Berendt's
A) Goodman Theatre B) Mercer House C) The Chicago Playhouse D) An antiques store |