A) Paris B) London C) Rome D) Venice
A) Renaissance B) Surrealism C) Cubism D) Impressionism
A) Government and military B) Marketplace and trade C) Church and monarchy D) School and hospital
A) Portraits B) Landscape C) Mythology D) Vanitas
A) 19th century B) 17th century C) 20th century D) 14th century
A) Pointillism B) Chiaroscuro C) Graffiti D) Collage
A) Use of diagonals and spirals B) Horizontal lines C) Geometric shapes D) Symmetrical patterns
A) Frida Kahlo B) Artemisia Gentileschi C) Mary Cassatt D) Louise Élisabeth Vigée Le Brun
A) Rococo B) Neoclassical C) Baroque D) Renaissance
A) Cartouche B) Mosaic C) Bas-relief D) Fresco
A) Spanish B) German C) Italian D) French
A) Diamond cuts B) Gold chains C) Irregular pearls D) Silver filigree
A) Rene Descartes B) Michel de Montaigne C) Voltaire D) Blaise Pascal
A) 1531 B) 1728 C) 1762 D) 1694
A) Johann Sebastian Bach B) Wolfgang Amadeus Mozart C) Ludwig van Beethoven D) Jean-Philippe Rameau
A) Romantic music B) Classical music C) Baroque music D) Renaissance music
A) Heinrich Wölfflin B) Jacob Burckhardt C) Quatremère de Quincy D) John Ruskin
A) Rococo B) Neoclassical C) Art Nouveau D) Gothic
A) Something irregular, bizarre or unequal. B) A harmonious and balanced composition. C) An innovative and modern approach. D) A traditional and classical form.
A) Michelangelo Buonarroti B) Leonardo da Vinci C) Federico Barocci D) Raphael Sanzio
A) 1855 B) 1835 C) 1788 D) 1768
A) To celebrate Gothic architecture. B) To describe modernist movements. C) To ridicule post-Renaissance art. D) To praise Renaissance art.
A) The Industrial Revolution B) The French Revolution C) The Renaissance D) The Protestant Reformation
A) Trompe-l'œil paintings on the ceiling B) Frescoes on the walls C) Sculptures of saints D) Stained glass windows
A) They avoid religious themes B) They use only monochromatic colors C) They are designed for correct perspective from the floor D) They depict multiple scenes in one perspective
A) The flying buttress B) The twisted column C) The pointed spire D) The flat arch
A) Carlo Maderno B) Francesco Borromini C) Gian Lorenzo Bernini D) Bramante
A) Geometric abstraction B) Symmetrical design C) Minimalist style D) Forced perspective
A) 1634 B) 1656 C) 1584 D) 1605
A) Francesco Borromini B) Gian Lorenzo Bernini C) Baldassare Longhena D) Guarino Guarini
A) Gian Lorenzo Bernini B) Francesco Borromini C) Giovanni Battista Gaulli D) Andrea Pozzo
A) Gian Lorenzo Bernini B) Guarino Guarini C) Baldassare Longhena D) Francesco Borromini
A) San Carlo alle Quattro Fontane B) Santa Maria della Salute C) St. Peter's Basilica D) The Church of the Gesù
A) Francesco Borromini B) Gian Lorenzo Bernini C) Guarino Guarini D) Baldassare Longhena
A) Chapel tower of Palace of San Telmo B) Santiago de Compostela Cathedral C) San Isidro Chapel in Madrid D) Palace of San Telmo
A) Salamanca B) Seville C) Granada D) Madrid
A) Alonso Cano B) Fernando de Casas Novoa C) Leonardo de Figueroa D) Pedro de la Torre
A) Classicism B) Rococo C) Gothic D) Churrigueresque style
A) Salamanca B) Seville C) Madrid D) Granada
A) Pedro de Ribera B) Fernando de Casas Novoa C) Narciso Tomé D) Alonso Cano
A) Johann Pachelbel B) Heinrich Schütz C) Arcangelo Corelli D) Claudio Monteverdi
A) Matthäus Daniel Pöppelmann B) Johann Bernhard Fischer von Erlach C) Balthasar Neumann D) Dominikus Zimmermann
A) Porto B) Braga C) Lisbon D) Coimbra
A) Tomaso Albinoni B) Alessandro Scarlatti C) Francesco Cavalli D) Marc-Antoine Charpentier
A) Writing letters B) Storing books C) Displaying jewelry D) Holding dishes
A) Francesco Cavalli B) Jan Dismas Zelenka C) Giovanni Battista Pergolesi D) Alessandro Scarlatti
A) Stone B) Bronze C) Marble D) Polychromed wood
A) Paris B) St. Petersburg C) Berlin D) Rome
A) Antonio Vivaldi B) Johann Sebastian Bach C) Henry Purcell D) George Frideric Handel
A) José Juárez B) Miguel Cabrera C) Gregorio Vasquez de Arce y Ceballos D) Juan Rodríguez Juárez
A) Flat metal grilles B) Maximalist railings decorated with rinceaux C) Minimalist stone barriers D) Simple wooden fences without decoration
A) 1717 B) 1725 C) 1688 D) 1736
A) Santiago B) Mexico City C) Lima D) Buenos Aires
A) Faces were more tranquil B) Faces were abstract and non-representational C) Faces clearly expressed emotions D) Faces were not depicted
A) Jean-Baptiste Lully B) Heinrich Schütz C) Pierre Perrin D) Henry Purcell
A) Rome B) Venice C) Padua D) Florence
A) 1768 B) 1734 C) 1919 D) 1940
A) Juan Rodríguez Juárez B) José Juárez C) Gregorio Vasquez de Arce y Ceballos D) Miguel Cabrera
A) Flat roofs without decoration B) Simple stone walls C) Minimalist wooden furniture D) Railings at Mogoșoaia Palace
A) Henry Purcell B) Heinrich Schütz C) Jean-Baptiste Lully D) Bartolomeo Cristofori
A) Florence B) Vienna C) Paris, opened by Pierre Perrin D) Tuscany
A) 1768 B) October 1733 C) May 1734 D) 1919
A) Byzantine rule B) Romanian independence era C) Phanariot reigns D) Ottoman Empire's peak period
A) Dominikus Zimmermann B) Balthasar Neumann C) Johann Bernhard Fischer von Erlach D) Georg Wenzeslaus von Knobelsdorff
A) Delicate floral motifs B) Minimalist stone carvings C) Simple geometric shapes D) Geometric patterns without depth
A) Pombaline Era B) Royal Absolutism C) Golden Age D) Baroque Boom
A) Jean-Philippe Rameau's Hippolyte et Aricie B) Heinrich Schütz's compositions C) Jacopo Peri's Dafne D) Robert Cambert's Pomone
A) Luis de Riaño B) Marcos Zapata C) Basilio Santa Cruz Pumacallao D) Diego Quispe Tito
A) Mansard roof B) Curvilinear façades C) Broken pediments D) Applied order
A) Louis Le Vau B) François Mansart C) Robert de Cotte D) Pierre Le Muet
A) Arcangelo Corelli B) Marin Marais C) Antonio Vivaldi D) Henry Purcell
A) Murillesque B) Cusco School of painting C) Sevillan Tenebrism D) Quito School
A) Vigan B) Cebu City C) Manila D) Davao City
A) Lully's operas B) Pomone C) Dafne D) Hippolyte et Aricie
A) Milan B) Florence C) Venice D) Bologna
A) Opera libretti B) Musical compositions C) Mercure de France D) Encyclopédie by Denis Diderot
A) Francesco Borromini B) Nicolau Nasoni C) Carlo Maderno D) Giovanni Battista Piranesi
A) André Le Nôtre B) Charles Le Brun C) Claude Perrault D) François Mansart
A) On top of another piece of furniture B) Underneath a window C) Against a wall D) In the center of a room
A) Lúcio Costa B) Carlos Drummond de Andrade C) Oscar Niemeyer D) Aleijadinho
A) Louis XIV B) Charles II of Spain C) Pope Urban VIII D) Frederick the Great
A) Ivan the Terrible B) Catherine the Great C) Peter the Great D) Nicholas II
A) Heinrich Schütz B) Giovanni Gabrieli C) Arcangelo Corelli D) Claudio Monteverdi
A) Manfred Bukofzer B) Denis Diderot C) Curt Sachs D) Jean-Jacques Rousseau
A) Diego Velázquez B) François Boucher C) Elisabetta Sirani D) Pietro da Cortona
A) Christoph Dientzenhofer B) Pompeo Ferrari C) Giovanni Battista Trevano D) Tylman van Gameren
A) Fortaleza B) Salvador C) São Paulo D) Recife
A) George Frideric Handel B) Antonio Vivaldi C) Jean-Philippe Rameau D) Johann Sebastian Bach
A) Arcangelo Corelli B) François Couperin C) Johann Sebastian Bach D) Domenico Scarlatti
A) Renaissance works B) Modern art C) Nature D) Classical models
A) Nicolas Poussin B) Michelangelo Merisi da Caravaggio C) François Boucher D) Pietro da Cortona
A) Canapé B) Commode C) Chest D) Fauteuil en confessionale
A) Jan Dismas Zelenka B) Marc-Antoine Charpentier C) Alessandro Scarlatti D) Francesco Cavalli
A) L'Orfeo, favola in musica B) Musikalische Exequien C) Symphoniae sacrae book 2 D) Ercole amante
A) Louis XVI B) Louis XV C) Louis XIV D) Napoleon Bonaparte
A) Bernardo Bitti B) Sebastián López de Arteaga C) José Juárez D) Melchor Pérez de Holguín
A) Michael the Brave B) Matei Basarab C) Constantin Brâncoveanu D) Vasile Lupu
A) Un cimbalo di cipresso di piano e forte B) Sinfonia C) Fortepiano D) Concerto
A) Marc-Antoine Charpentier B) Domenico Scarlatti C) Jean-Philippe Rameau D) George Frideric Handel
A) Johann Pachelbel B) Arcangelo Corelli C) Marin Marais D) Henry Purcell |