A) Architectural designs created only by Māori architects B) Anything involving a Māori client with a Māori focus C) Strictly as traditional meeting houses and shrines D) Only buildings constructed with natural materials
A) The architectural budget and timeline B) The use of specific traditional carvings C) The kaupapa and client's aspirations D) The size of the land available
A) Only within the last decade B) Since the 1980s C) From the 1960s D) During the 1920s
A) Sacred place B) Shared kitchen C) Sleeping quarters D) Meeting ground
A) Private hotel B) Whare ora (health centre) C) Sports stadium D) Retail shopping centre
A) A circular building with multiple entrances B) An open-air pavilion with no walls C) Multiple small rooms surrounding a central courtyard D) One large space with a porch and one door and window in front
A) International airports and government embassies B) Public parks and industrial warehouses C) Private suburban homes and apartment complexes D) Prisons, schools and universities
A) Te Papa Museum B) Auckland War Memorial Museum C) Sky Tower D) Futuna Chapel
A) Providing permanent housing for the general public B) Hosting events like weddings and funerals C) Serving as a commercial marketplace D) Exclusively for government council meetings
A) Educational research centres B) Domestic Māori villages C) Traditional fishing ports D) Religious temples
A) Abundance of modern apartments B) Uniform architectural styles C) Strict adherence to building codes D) Acute shortage of dwellings
A) Rapid population growth B) Resistance from Indigenous communities C) Excessive land availability D) Lack of building materials
A) Indigenous Australian cultural norms B) Global architectural trends C) Western industrial standards D) Governmental administrative preferences
A) Failure to recognize diverse cultural housing needs B) Lack of political will to build C) High costs of specialized labor D) Use of environmentally friendly materials
A) Easier maintenance of households B) Disruption of social organization C) Improvement of infrastructure D) Reduction of construction costs
A) Avoidance behaviours B) Parking space requirements C) Personal storage capacity D) Internet connectivity
A) Independently B) By copying urban city models C) Using standardized blueprints D) Through a singular national design
A) Twelve B) Nine C) Ten D) Seven
A) Provision of luxury appliances B) Installation of high-speed internet C) Ability to wash people D) Large garden spaces
A) Investment potential B) Construction speed C) Domiciliary behaviours D) Market resale value
A) Severe stress on the occupants B) Better financial management C) Increased housing longevity D) Improved family bonding
A) Increasing the number of windows B) Eradicating all natural wildlife C) Reducing impact of pests or vermin D) Painting exterior walls
A) Standardized global housing B) European colonial designs C) Only historical ruins D) Culture-specific architecture
A) Igloo B) Teepee C) Wiltja D) Yurt
A) Steel beams B) Basalt rocks C) Brick and mortar D) Concrete slabs
A) Tall pyramid B) Flat rectangle C) Perfectly square D) Elongated egg shape
A) Bamboo B) Cane C) Plastic piping D) Iron bars
A) Wood paneling B) Sod cladding C) Animal fur D) Synthetic shingles
A) Late 1980s B) Late 1990s C) Early 2000s D) Mid 1970s
A) Perth, Western Australia B) Redfern, Sydney C) Halls Gap, Victoria D) Yirrkala, Northern Territory
A) Halls Gap, Victoria B) Bathurst, New South Wales C) Derby, Western Australia D) Tennant Creek, Northern Territory
A) Sydney Opera House B) The National Gallery of Australia C) West Kimberley Regional Prison D) Parliament House
A) University of Sydney B) University of Newcastle C) Edith Cowan University D) University of Melbourne
A) Colonial design B) Modernist urban design C) Universal design D) Country-centred design
A) Elizabeth Grant B) Paul Pholeros C) Timothy O'Rourke D) Sarah Lynn Rees
A) Igloo B) Pit house C) Tipi D) Longhouse
A) Longhouse pits B) Wickiup ruins C) Quiggly holes D) Igloo foundations
A) Snow blocks B) Whale bones C) Animal hides D) Red cedar planks
A) A totem pole made of ice B) A heraldric pole C) A stone statue D) A garden arch
A) Saplings B) Red cedar C) Bison hides D) Whale bones
A) Paul Memmott B) Rueben Berg C) Craig Kerslake D) Linda Kennedy
A) The Interior of British Columbia B) The Canadian Prairies C) Southern Ontario D) The far north
A) Exacerbated overcrowding B) Increased migration to rural areas C) A decline in farming D) A shortage of food supplies
A) Wanda Dalla Costa B) Brian Porter C) Ryan Walker D) Patrick Stewart
A) David Fortin B) Alfred Waugh C) Douglas Cardinal D) Étienne Gaboury
A) Winnipeg B) Gatineau C) Regina D) Vancouver
A) Wanda Dalla Costa B) Ryan Walker C) Douglas Cardinal D) David Fortin
A) Vancouver B) Winnipeg C) Thunder Bay D) Wendake
A) Rectangular B) Square C) Circular D) Triangular
A) Gabled B) Flat C) Pyramid-like D) Domed
A) Stone B) Plants C) Clay D) Metal
A) Fruit trees B) Scented flora C) Vegetables D) Thorny bushes
A) They were round B) They were made of brick C) They lacked roofs D) They were set higher
A) Schools B) Churches C) Government offices D) Shopping malls
A) Rural areas are evolving faster B) Rural areas are evolving at a slower rate C) Rural areas have stopped evolving D) They are evolving at the same rate
A) La Flèche Case B) La Grande Case C) Le Clan Case D) Le Petit Case
A) Pine wood B) Oak wood C) Palm wood D) Houp wood
A) Katana B) Behno C) Kanak D) Ixoe
A) The ancestor B) A bad spirit C) The clan's protector D) The living chief
A) Banana leaf B) Coconut leaf C) Houp wood strips D) Pandanus leaf
A) Behno B) Katana C) Ixoe D) Grande Case
A) Renzo Piano B) Jean-Marie Tjibaou C) Alban Bensa D) Paul Vincent
A) Twelve B) Ten C) Thirty-four D) Eight
A) Oak B) Pine C) Iroko D) Cedar
A) Eight B) Ten C) Fifty-seven D) Four
A) New Caledonia mountain range B) Nouméa City Center C) A remote tribal village D) Tinu Peninsula
A) Téâ Kanaké B) The first tribal chief C) The god of the lagoon D) A French explorer
A) 1853 B) 2005 C) 1989 D) 1998
A) 341 B) 8 C) 57 D) 4,000
A) Traditional Kanak Grand Hut B) Oceanic boat structures C) Colonial French architecture D) Modern industrial warehouses
A) Alban Bensa B) Paul Vincent C) Jean-Marie Tjibaou D) Renzo Piano
A) Clay tiles B) Totara-bark shingles C) Metal sheets D) Palm fronds
A) Sleeping house B) Cooking house C) Storage of fishing nets D) Carved meeting house
A) Head B) Backbone C) Ribs D) Heart
A) Pātaka B) Whare puni C) Marae D) Kāuta
A) It supports the roof as a ridge beam B) It represents the heart C) It acts as the front door D) It functions as a storage rack
A) Toes B) Fingers C) Eyes D) Hair
A) Ancestor tomb B) Fish drying rack C) Carved meeting house D) Sleeping hut
A) A Polynesian navigator from Tahiti B) Ruatepupuke C) A mythological figure who created the moon D) A local chief from the North Island central plateau
A) As fingers B) As arms C) As lungs D) As ribs
A) 2 metres x 3 metres B) 1 metre x 2 metres C) 5 metres x 5 metres D) 10 metres x 10 metres
A) To hide from enemies B) To provide extra storage space C) To honor the earth deity D) For better insulation
A) Kamalig B) Bahay Kubo C) Batalan D) Bai
A) Elders' Bai B) Koror Bai C) Ancient Bai D) Airai Bai
A) Ventanilla B) Kisame C) Silong D) Bubungan
A) Elsdon Best B) Elisapeta Heta C) Rewi Thompson D) John Scott
A) Roof vents for smoke B) Traditional floor mats C) Wall dividers made of bamboo D) Smaller windows underneath larger ones
A) Nipa Hut B) Bahay na Bato C) Kamalig D) Batalan
A) The window frame B) The ceiling C) The floor D) The wall frame
A) Deidre Brown B) Jade Kake C) Elsdon Best D) Fleur Palmer
A) Arcticus B) Sápmi C) Scandia D) Nordland
A) Canada B) Scandinavia C) Russia D) Greenland
A) Lavvu is square, goahti is circular B) Lavvu poles meet, goahti poles remain separate C) Lavvu has a chimney, goahti has an open hole D) Lavvu poles are wood, goahti poles are stone
A) Straight poles B) Three forked poles C) Size and quantity of poles D) Guy-wire
A) Zero B) One C) Three D) Two
A) Rectangular B) Elongated C) Circular D) Hexagonal
A) Bread box lavvu B) Arctic dome C) Reindeer hut D) Turf shelter
A) Six B) Two C) Eight D) Four
A) 180° B) 45° C) 90° D) 130°
A) Canvas B) Plastic sheeting C) Heavy wool felt D) Reindeer leather |