A) John Phillips B) Charles Jervas C) John Ormsby D) Thomas Shelton
A) Pierre Antoine Motteux B) Thomas Shelton C) John Phillips D) Tobias Smollett
A) 1755 B) 1742 C) 1700 D) 1719
A) Edith Grossman B) John Ormsby C) Samuel Putnam D) Robinson Smith
A) Feliciano de Silva B) Alonso Fernández de Avellaneda C) Amadís de Gaula D) Tirant lo Blanch
A) Hudibrastic Verse B) The Life & Notable Adventures C) Amadís de Gaula D) The reason of the unreason
A) James Young Gibson B) John Wilson Clark C) John Ozell D) John Gibson Lockhart
A) J. M. Cohen B) O. M. Brack Jr. C) Edith Grossman D) Walter Starkie
A) Tobias Smollett B) Thomas Shelton C) Douglas and Jones D) Burton Raffel
A) Alonso Fernández de Avellaneda B) George Kelly C) John Phillips D) Feliciano de Silva
A) Charles Henry Wilmot B) Thomas Shelton C) Tobias Smollett D) Robinson Smith
A) Edward Ward B) John Blunt C) Mary Smirke D) George Kelly
A) Diana de Armas Wilson B) Joseph Ramon Jones and Kenneth Douglas C) Burton Raffel D) Samuel Putnam
A) 1964 B) 1996 C) 1950 D) 1949
A) E.C. Riley B) John Blunt C) Tobias Smollett D) John Wilson Clark
A) The Knight of the Mirrors B) The Tale of the Captive C) El Curioso Impertinente D) The Princess of Micomicon
A) To find a new wife B) To test the fidelity of his wife C) To settle a debt with Lothario D) To gain fame as a nobleman
A) He is eager to pursue her B) He reluctantly agrees while thinking it is madness C) He refuses immediately D) He tells Camilla about the plan immediately
A) Camilla tells the maid to report him B) Camilla writes letters to her husband about the attempts C) Camilla leaves town to avoid him D) Camilla immediately agrees to the affair
A) She stabs herself lightly in the breast B) She begs for her husband's forgiveness C) She produces a fake letter from a lover D) She faints at the sight of Lothario
A) He reconciles with his wife B) He lives in poverty after his wife leaves C) He dies of grief before finishing his story D) He kills Lothario in a duel
A) He changes the protagonist to Sancho B) He stops writing the story entirely C) He includes more digressions than in Part One D) He promises to concentrate on the central characters
A) A diminutive, implying something small B) A formal title for nobility C) A suffix reserved for historical figures D) An augmentative, implying extra large
A) Cuisses, which protect the thighs B) A specific type of medieval sword C) A decorative sash for armor D) A type of helmet for knights
A) Because he cannot understand modern Spanish B) To mimic the language of his chivalric books C) Because he is actually from the medieval period D) To mock the local peasants
A) With a silent 'x' B) With a soft 'z' sound C) With a hard 'k' sound D) With a 'sh' sound
A) A brave and noble act of chivalry B) The foolishly impractical pursuit of ideals C) The tendency to speak in archaic languages D) A deep and unwavering obsession with horses
A) A pun on the word for bread B) The name of a famous queen C) An allusion to illusion D) A real historical figure
A) It requires distinguishing between two types of old Spanish B) The text was originally written in Latin C) The language has been translated into too many dialects D) Modern readers are not familiar with the plot
A) He marries the maid B) He is killed in battle C) He is imprisoned for his betrayal D) He becomes a hermit
A) Five years B) Twenty years C) Ten years D) Two years
A) Allegory B) Satire C) Stream of consciousness D) Metafiction
A) The Duchess B) The Knight of the White Moon C) Don Quixote D) The Duke
A) Three B) Two C) One D) Four
A) Five hundred B) One thousand C) Ten thousand D) Three thousand three hundred
A) Become a monk B) Cease chivalry for one year C) Pay a large fine D) Leave the country
A) Knight B) Teacher C) Farmer D) Shepherd
A) 1844 B) 1926 C) 1605 D) 1615
A) Slaughterhouse worker B) Innkeeper C) Knight-errant D) Farm labourer
A) La Mancha B) Benengeli C) Dulcinea D) Rocinante
A) A prostitute at the inn B) The housekeeper C) Aldonza Lorenzo D) His niece
A) At the slaughterhouse B) At a horse trough C) In a library D) In a cathedral
A) Miguel de Cervantes B) Cide Hamete Benengeli C) Salvador de Madariaga D) Alonso Quijano
A) Impractically idealistic B) Earthy and witty C) Violently insane D) Frugal and wise
A) Four B) One C) Two D) Six
A) A suit of golden armor B) A petty governorship C) A castle in the countryside D) A large chest of gold coins
A) Enchanted castles B) Ferocious giants C) Evil sorcerers D) Army battalions
A) Galician porters B) A group of galley slaves C) Benedictine friars D) An army of giants
A) Juan Palomeque B) Sancho Panza C) The Toledo canon D) Cardenio
A) A metal cooking pot B) A farmer's bucket C) A barber's basin D) A rusted shield
A) The kingdom of Micomicona B) The village of the priest C) The Sierra Morena D) The plains of the windmills
A) Dorotea B) The lady in the carriage C) A servant girl D) A girl from the village
A) A group of pilgrims B) The innkeeper's servants C) Wineskins D) The Toledo canon
A) The local barber B) A Toledo canon C) A group of goatherds D) The village priest
A) A factual historical biography B) The first modern novel C) A medieval epic poem D) A collection of short folk tales
A) The Spanish Inquisition B) The medieval chivalric code C) Freud's reality principle D) The author's own narrator
A) By introducing contradictions that undermine previous premises B) By writing in a complex, archaic language C) By using footnotes that explain the plot D) By constantly shifting the point of view to a new character
A) A single continuous narrative B) Episodic C) A play in five acts D) A collection of sonnets
A) Traveling across the country B) Fighting against a corrupt government C) Building a farm in the countryside D) Attacking imaginary enemies
A) Barcelona B) Tarragona C) Madrid D) Toledo
A) 1615 B) 1714 C) 1784 D) 1614
A) Don Quixote B) Alonso Fernández C) Cervantes D) Samuel Putnam
A) Chapter 74 B) Chapter 1 C) Chapter 59 D) Chapter 10
A) Tarragona B) Tordesillas C) Argamasilla de Alba D) Barcelona
A) He had not started yet B) Chapter X C) The conclusion D) Chapter LIX
A) La Mancha B) Andalusia C) Catalonia D) Castile
A) Madrid B) Ciudad Real C) Valencia D) Toledo
A) A hunting dog B) A horse C) A cat D) A greyhound
A) Homer B) Aristotle C) Plato D) Socrates
A) Francisco Parra Luna B) Jorge Luis Borges C) John Ormsby D) Cide Hamete
A) 1998 B) 2004 C) 2010 D) 2001
A) The Renaissance B) The Spanish Inquisition C) The Enlightenment D) The Protestant Reformation
A) They were losing relevance B) They were granted more land C) They were gaining more power D) They were completely abolished
A) 1615 B) 2002 C) 2010 D) 1605
A) 100 B) 400 C) 55 D) 1100
A) Jousting B) Turning C) Leaning D) Falling
A) Dulcibella camanchaca B) Lohuecotitan pandafilandi C) Quijote cervantesi D) Qunkasaura pintiquiniestra
A) 1605 B) 1614 C) 1617 D) 1615
A) 400 B) More than 500 million C) 70 D) 1,100
A) Ben Haneman B) Cardinal Zapata C) Conde de Lemos D) Francisco de Robles
A) Novelas ejemplares B) Don Quixote Part II C) Don Quixote Part I D) The exploits of Sancho Panza
A) Ben Haneman B) The Conde de Lemos C) Cardinal Zapata D) Francisco de Robles
A) Dulcibella camanchaca B) Quijote cervantesi C) Lohuecotitan pandafilandi D) Quijotidae
A) Sanchian B) Quixotic C) Dulcibean D) Cervantean
A) 1620 B) 1700 C) 1612 D) 1618
A) Motteux B) Jervas C) Shelton D) Smollett
A) Pierre Antoine Motteux B) Charles Jervas C) John Stevens D) Tobias Smollett
A) time will never tell B) the proof is in the baking C) you will see when the eggs are fried D) the pudding is ready
A) Carlos Fuentes B) Samuel Putnam C) John Ormsby D) Burton Raffel
A) James H. Montgomery B) Gerald J. Davis C) Burton Raffel D) Tom Lathrop
A) John D. Rutherford B) Edith Grossman C) Diana de Armas Wilson D) Gerald J. Davis
A) A printer's error B) A desire to sound more English C) A mistranslation of the author's name D) A deliberate pseudonym |