A) Charcoal on canvas B) Watercolor on paper C) Tempera on wood D) Oil on canvas
A) French B) Dutch C) Italian D) Spanish
A) Industrial landscapes B) Political satire C) Abstract compositions D) Mythological and classical themes
A) One B) Four C) Three D) Two
A) Impasto B) Collage C) Pointillism D) Glazing
A) Royal Academy B) Paris Salon C) Venice Biennale D) Documenta
A) 19th century B) 17th century C) 20th century D) 18th century
A) Multiple figures fighting B) A stormy sky C) A sinking ship D) The crashing wave
A) Student B) Professor C) Director D) Curator
A) Idealized and classical B) Abstract and distorted C) Cartoonish and exaggerated D) Realistic and gritty
A) Medal of Honor B) Nobel Prize C) Turner Prize D) Prix de Rome
A) As political and controversial B) As technically perfect but conservative C) As revolutionary and innovative D) As primitive and naive
A) Impressionism B) Academic art C) Surrealism D) Cubism
A) Collage elements B) Heavy impasto C) Smooth, polished finish D) Broken brushstrokes
A) London, England B) Rome, Italy C) La Rochelle, France D) Paris, France
A) Large-scale painting B) Miniature C) Medium-sized D) Mural
A) Bauhaus B) Black Mountain College C) Royal Academy D) École des Beaux-Arts
A) Political commentary B) Anatomical accuracy C) Spontaneous brushwork D) Abstract composition
A) Renaissance masters B) Byzantine icon painters C) Ancient Greek sculptors D) Impressionists |