A) Bonn B) Vienna C) Paris D) Berlin
A) Flute B) Piano C) Cello D) Violin
A) Symphony No. 9 B) Symphony No. 7 C) Symphony No. 5 D) Symphony No. 3
A) Medieval and Renaissance B) Classical and Romantic C) Baroque and Classical D) Romantic and Modern
A) Symphony No. 7 B) Symphony No. 9 C) Symphony No. 3 D) Symphony No. 5
A) Für Elise B) Immortal Beloved C) Eroica Symphony D) Moonlight Sonata
A) 1827 B) 1750 C) 1799 D) 1869
A) Carmen B) The Magic Flute C) Fidelio D) Madama Butterfly
A) German B) French C) Italian D) Austrian
A) D major B) A flat minor C) F sharp major D) C minor
A) Joachim Murat B) Maréchal Ney C) Louis-Alexandre Berthier D) Napoleon Bonaparte
A) Johann van Beethoven B) Christian Gottlob Neefe C) Joseph Haydn D) Franz Rovantini
A) Kapellmeister (music director) B) Pianist C) Conductor D) Composer
A) Berlin B) Vienna C) Munich D) Bonn
A) Clemens August B) Heinrich Keverich C) Karl Alois, Prince Lichnowsky D) Johann IX Philipp von Walderdorff
A) Grandson through his father, who worked at the court B) Nephew C) Cousin D) Son
A) Nannerl Mozart B) Helene von Breuning C) Julie Guicciardi D) Maria Magdalena Keverich
A) 18 December 1770 B) 16 December 1770 C) 17 December 1770 D) 15 December 1770
A) Appassionata Sonata B) Pathétique Sonata C) Waldstein Sonata D) Moonlight Sonata
A) 50 B) 65 C) 60 D) 56
A) Bagatelle "Für Elise" B) Ninth Symphony C) Fifth Symphony D) Eroica Symphony
A) Late period (1812–1827) B) First period (up to 1802) C) Middle period (1802–1812) D) Romantic period
A) Eroica Symphony B) Fifth Symphony C) Große Fuge D) Ninth Symphony
A) Joseph Haydn B) Christian Gottlob Neefe C) Johann van Beethoven D) Court concertmaster Franz Anton Ries
A) Moonlight Sonata B) Eroica Symphony C) First Symphony D) Pathétique Sonata
A) Maximilian Franz B) Christian Gottlob Neefe C) Count Ferdinand von Waldstein D) Franz Wegeler
A) Three piano sonatas (WoO 47) B) A set of keyboard variations (WoO 63) C) Cantata for the death of Joseph II (WoO 87) D) Ballet Musik zu einem Ritterballett (WoO 1)
A) Haydn B) Waldstein C) Kurfürst D) Breuning
A) Helene von Breuning B) Maximilian Franz's wife C) Anna von Schaden D) Johann van Beethoven
A) Franz Wegeler B) Maximilian Franz C) Count Ferdinand von Waldstein D) Christian Gottlob Neefe
A) Fidelio B) Die Geschöpfe des Prometheus C) Musik zu einem Ritterballett (WoO 1) D) Leonore
A) July 1787 B) 1792 C) 1785 D) 1789
A) Paisiello B) Gluck C) Beethoven D) Mozart
A) 1789 B) 1792 C) 1785 D) Late 1790
A) 1789 B) 1792 C) 1794 D) 1801
A) Salieri B) Albrechtsberger C) Mozart D) Haydn
A) Flute B) Violin C) Cello D) Piano
A) Ferdinand B) Carl C) Kaspar D) Joseph
A) Ignaz Moscheles B) Ferdinand Ries C) Joseph Wölfl D) Daniel Steibelt
A) It was universally praised without criticism B) Beethoven's works were not well received C) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung D) The players ignored the soloist entirely
A) Steinway & Sons B) Broadwood C) Yamaha D) Bechstein
A) Therese Malfatti B) Julie Guicciardi C) Antonie Brentano D) Josephine Brunsvik
A) Beethoven House, Bonn B) Pasqualatihaus (Mölker Bastei 8) C) Beethoven Museum in Probusgasse D) Beethovenhalle
A) Anton Schindler B) Johann Nepomuk Hummel C) Ludwig van Beethoven D) Michael Umlauf
A) The Ruins of Athens B) Egmont C) King Stephen D) Meeresstille und glückliche Fahrt
A) Hummel or Muzio Clementi B) Schubert and Liszt C) Bach and Handel D) Haydn and Mozart
A) A local magistrate B) His brother Johann C) Therese Obermayer D) Kaspar's widow Johanna
A) Rank beginners B) Classical masters C) Mature composers D) Contemporary virtuosos
A) 1827 B) 1900 C) 1863 D) 1888
A) 2007 B) 2001 C) 1845 D) 1880
A) Heiligenstadt B) Vienna C) Cassel D) Leipzig
A) Haydn's B) Schubert's C) Mozart's D) Beethoven's
A) Renaissance era B) Baroque-era C) Classical era D) Romantic era
A) Wellington's Victory (Op. 91) B) The Allegretto movement C) Battle Symphony D) Seventh Symphony, Op. 92
A) "Es muss sein!" B) "Muss es sein?" C) "Von Herzen—Möge es wieder—Zu Herzen gehn!" D) "Der schwer gefasste Entschluss"
A) £100 B) A portrait of him C) A lifetime membership D) A grand piano
A) General Bernadotte B) E. T. A. Hoffmann C) Archduke Rudolf D) Czerny
A) Joseph Haydn B) Ignaz Schuppanzigh C) Antonio Salieri D) Johann Albrechtsberger
A) Migraine B) Inflammatory fever C) Tuberculosis D) Rheumatism
A) 1500 florins B) 1000 florins C) 2000 florins D) 500 florins
A) Quartetto serioso B) Tragic Quartet C) Heroic Quartet D) Dramatic Quartet
A) Munich B) Budapest C) Vienna D) Berlin
A) A sudden illness B) Rheumatism C) Tuberculosis D) Migraine
A) He never wrote to her. B) He had a passionate correspondence with her. C) She rejected his proposal. D) They were married.
A) Auricular infection B) Tinnitus C) Neural degeneration D) Otosclerosis
A) 1824 B) 1802 C) 1798 D) 1815
A) Vienna B) St. Louis C) Bonn D) San Jose, California
A) On 15 November 1815 B) On 8 November 1812 C) In late 1820 D) In early 1813
A) 75 ducats per quartet. B) 50 ducats per quartet. C) 30 ducats per sonata. D) 100 ducats per quartet.
A) Bettina Brentano B) Rudolph C) Goethe D) Antonie Brentano
A) 1820 B) 1822 C) 1816 D) 1818
A) Anselm Hüttenbrenner B) Joseph Mayseder C) Heinrich Anschütz D) Franz Schubert
A) The influence of other composers B) New compositions C) A fourth period D) Sub-periods
A) 2007 B) August 1845 C) 2001 D) 1880
A) Tuberculosis B) Cholera C) Malaria D) Pneumonia
A) Schindler B) Karl C) Andreas Ignaz Wawruch D) Dr. Malfatti
A) Schindler B) Michael Umlauf C) Rudolph D) Karl Holz
A) Rudolph B) Louis XVIII C) Michael Umlauf D) Johann Friedrich Rochlitz
A) Composed from 1824 onwards B) Opp. 59, 74 and 95 C) Composed between 1806–1814 D) Op. 18 quartets
A) Der glorreiche Augenblick (The Glorious Moment) B) An die Hoffnung C) Fidelio D) Wellington's Victory
A) It resulted in significant losses for Beethoven B) Beethoven had to refund all the tickets C) The concert was cancelled due to poor ticket sales D) It was a financial success
A) Ninth Symphony B) Missa solemnis C) Diabelli Variations D) String Quartet No. 14
A) As supportive and caring. B) As indifferent and distant. C) As minimal and uninvolved. D) As an overbearing manner.
A) Moscheles B) Duke of Wellington C) Ludwig Spohr D) Johann Nepomuk Maelzel
A) Egmont Overture B) Meeresstille und glückliche Fahrt C) Archduke Trio D) F minor String Quartet
A) "O Man, help thyself." B) "With God's guidance." C) "For art and glory." D) "To success!"
A) Conversation books B) Sign language C) Telegraph D) Braille
A) Berlin B) Teplitz (now Teplice) C) Vienna D) Munich
A) The modern piano B) Recording technology C) The art of conducting D) The professional orchestra
A) Johann Sebastian Bach B) George Frideric Handel C) Claudio Monteverdi D) Wolfgang Amadeus Mozart
A) Piano sonatas B) Concertos C) Symphonies D) The quartets
A) 20,000 B) 10,000 C) 5,000 D) 50,000
A) Haslinger B) Cramer C) Artaria D) Schlesinger
A) 1823 B) 1826 C) 1824 D) 1825
A) Vienna B) Berlin C) Munich D) Baden
A) "Carpe diem" B) "Veni, vidi, vici" C) "Plaudite, amici, comoedia finita est" D) "To be or not to be"
A) Archduke Trio Op. 97 B) Mass in C, Op. 86 C) Fidelio D) Violin Concerto
A) Louis XVIII B) Napoleon Bonaparte C) Charles X D) François I
A) Nannette Streicher B) Thomas Broadwood C) Alois Jeitteles D) Maelzel
A) The decade 1780–1790 B) The decade 1790–1800 C) The decade 1820–1830 D) The decade 1810–1819 |