A) D major B) C major C) G major D) A minor
A) They are extensively detailed B) They are marked only in the second movement C) There are no dynamic indications D) They are only present in the first movement
A) Both movements B) II. Tempo di Menuetto C) I. Allegro ma non troppo D) Neither movement
A) Sonata form B) Binary form C) Theme and variations D) Rondo
A) A minor B) G major C) C major D) D major
A) C major, F major, and B flat major B) D minor, A minor, and E minor C) A major, E major, and B major D) G minor, C minor, and F minor
A) Symphony No. 5 B) String Quartet No. 14 C) Op. 20 Septet D) Symphony No. 9
A) A sonata form B) A minuet C) A fugue D) A scherzo
A) Slightly challenging B) Not important C) Most critical D) Easy to manage
A) He disliked the key of G major B) He lost the manuscript C) He reused one of its themes in a later piece D) He found it too complex
A) Sonata No. 14 B) Sonata No. 20 C) Sonata No. 19 D) Sonata No. 8
A) Rondo form B) Binary form C) Simplified sonata form D) Theme and variations
A) Polytonal B) Heterotonal C) Homotonal D) Monotonal
A) 1820 B) 1797 C) 1805 D) 1810
A) Three B) Four C) One D) Two
A) Leichte Sonaten B) Simplice Sonaten C) Facile Sonaten D) Kleine Sonaten
A) Nikolaus Zmeskall B) Joseph Haydn C) Kaspar van Beethoven D) Ludwig van Beethoven
A) Theme and variations B) Minuet and trio C) Rondo D) Sonata-allegro
A) Three B) Four C) Two D) Five
A) Wolfgang Amadeus Mozart B) Frédéric Chopin C) Sviatoslav Richter D) Franz Liszt
A) Sonata-rondo B) Theme and variations C) Rondo D) Sonata-allegro
A) Augmented sixth B) Picardy third C) Diminished seventh D) Minor third
A) Five minutes B) Fifteen minutes C) Ten minutes D) Eight minutes
A) Slow movement B) Finale C) First movement D) Development
A) Daniel Barenboim B) Glenn Gould C) Arthur Rubinstein D) Maurizio Pollini |