A) Ashlar masonry B) Diamond rustication C) Manueline vaulting D) Mudéjar patterning
A) Černín Palace B) Casa dos Bicos C) Palacio de Jabalquinto D) Palazzo dei Diamanti
A) 1492 B) 1503 C) 1523 D) 1585
A) Ferrara B) Moscow C) Catania D) Milan
A) Renaissance B) Baroque C) Classical D) Late Gothic
A) Isabelline B) Mudéjar C) Ashlar D) Bossage
A) Spain B) Portugal C) Scotland D) Italy
A) Palazzo dei Diamanti B) Černín Palace C) Crichton Castle D) Castello Sforzesco
A) They were sharpened B) They were gilded C) They were smoothed over D) They were removed entirely
A) Ashlar and bossage B) Flat and concave C) Pyramids and ridges D) Circles and squares
A) Central Europe B) Moscow C) Andalucia D) Sicily
A) Classical B) Isabelline Gothic C) Mudéjar D) Baroque
A) Northern Portugal B) Western Scotland C) Northern Russia D) Sicily and southern Italy
A) 1660s B) 1490s C) 1580s D) 1500s
A) Mudéjar styles B) Byzantine mosaic styles C) Classical Roman styles D) Egyptian pyramid styles
A) Vermiculated B) Prismatic C) Smooth-faced D) Cyclopian
A) Horizontal joints B) Mitered joints C) Diagonal joints D) Vertical joints
A) A Roman architectural term for mud B) The Greek word for rough stone C) The Latin word for little worm D) The name of a famous mason
A) The blocks are arranged in a circular formation B) The patterns are carved in straight lines C) The stones are polished until they shine D) The shapes join up to form a network
A) Around the roofline B) Only on the upper floors C) On the lowest levels D) On the interior columns
A) Worm tracks in mud B) The texture of animal fur C) Jagged mountain peaks D) Icicles or hanging pond-weed
A) Blocks are left completely raw and un-cut B) Blocks are embedded with small gemstones C) Blocks are painted in vibrant colors D) Blocks are dressed at an angle near each edge
A) Palladio B) James Gibbs C) Vitruvius D) Serlio
A) The texture of the stone face B) The weight of the individual blocks C) The type of stone used D) The cutting in at the joints
A) Bands that form a circular pattern B) Bands that dip diagonally around arches C) Bands that are left un-smoothed D) Bands that run strictly horizontally
A) Indented patterns on the central area of stones B) A technique for polishing the edges C) The use of metal tools to inlay patterns D) The process of stacking rocks without mortar
A) The Parliament House B) The Turner Mausoleum C) The Foreign Office building D) The Palace of Versailles
A) Weathering affected some stones more than others B) Different carvers interpreted patterns differently C) The stones were sourced from different quarries D) The stones were carved over several centuries
A) Quoin B) Voussoir C) Cornice D) Ashlar
A) Concrete B) Marble C) Stucco D) Terracotta
A) Gothic B) Neoclassical C) Mannerist D) Brutalist
A) It is significantly more uneven and rugged B) It is exclusively applied to interior walls C) It is highly regular with flat faces D) It uses much larger and heavier stones
A) International Style B) Richardsonian Romanesque C) Federal Style D) Art Deco
A) Structural incompatibility with stained glass B) High construction costs C) Religious modesty requirements D) Military power
A) Voussoirs B) Pilasters C) Aedicules D) Quoins
A) Voussoirs B) Mullions C) Ashlar D) Quoins
A) Granite B) Polished limestone C) Wood D) Cast iron
A) 16th century B) 19th century C) 18th century D) 17th century
A) Baroque architecture B) Gothic architecture C) Modernist architecture D) Palladian architecture
A) Shirley Plantation B) Gunston Hall C) Mount Vernon D) Monticello
A) Gilding B) Sgraffito C) Fresco D) Mosaic
A) Italy B) Germany C) France D) Czech Republic
A) Monticello B) The White House C) Fallingwater D) The Alamo |