A) 1819 B) 1817 C) 1818 D) 1820
A) Seven B) Five C) Four D) Six
A) An interest in changing the melody B) A natural command of the language of music C) A lack of focus on the original score D) A desire to improve the composition
A) Instrumentation and vocal range B) Harmony and key signature C) Tempo indication and the prelude-postlude D) Rhythm and lyrics
A) Mässig B) Allegro C) Andante D) Nicht zu geschwind
A) Library of Congress B) Vienna National Archives C) The Schubert Institute D) Stadler, Ebner and Schindler collection in Lund
A) Josef Hüttenbrenner B) Anselm Hüttenbrenner C) Sylvester Baumgartner D) Franz Sales Kandler
A) Moderato B) Presto C) Nicht zu geschwind D) Mässig
A) Coffee B) Schnapps C) Hungarian wine D) Austrian beer
A) It was a stylistic choice B) He wanted to destroy the work C) He was sleepy and clumsy D) He was angry at Josef
A) It was destroyed by the Hüttenbrenners B) It is in the Stadler collection C) It is in the Library of Congress D) It was lost
A) 1819 B) 1820 C) 1821 D) 1818
A) The Lund collection B) The Hüttenbrenner family archive C) Gertrude Clarke Whittall Foundation Collection D) The Vienna State Library
A) Sylvester Baumgartner B) Anselm Hüttenbrenner C) Franz Liszt D) Franz Sales Kandler
A) Third movement B) Second movement C) Fourth movement D) First movement
A) One B) Three C) Four D) Two
A) Its failure in Vienna B) Its meteoric rise on the charts C) Its complex musical structure D) Its lack of contemporary appeal
A) Background music in films B) A popular ringtone C) Ending tune of Samsung washing machines D) An alarm clock tone
A) Vivid imagery and exuberance of melody B) The complexity of the piano part C) The brevity of the piece D) The famous composers who transcribed it
A) 1820 B) 1815 C) 1816 D) 1817
A) D 229 B) D 550 C) D 518 D) D 454
A) Schubart B) Johann Leopold Ebner C) Ludwig Gotthard Kosegarten D) John Reed
A) Schubert B) Beethoven C) Schubart D) Kosegarten
A) D 229 B) D 518 C) D 550 D) D 454
A) An die Musik B) Grablied auf einen Soldaten C) An den Tod D) Die Erscheinung
A) Die Erscheinung B) An mein Klavier C) Coriolan Overture D) Der Tod und das Mädchen
A) Schubart B) Beethoven C) Kosegarten D) Schubert
A) Early 1817 B) 9 December 1820 C) 9 December 1817 D) July 1815
A) Monetary payment B) A manuscript copy C) Critical acclaim D) Free publicity
A) The River B) The Trout C) The Fisherman D) The Warning
A) Schwäbischer Musenalmanach B) Schubert's Almanach C) Die Forelle Journal D) The Musical Times
A) A minor B) D-flat major C) D major D) C major
A) Through-composed form B) Sonata form C) Varied strophic form D) Binary form
A) A private residence B) Vienna C) A monastery D) Hohenasperg fortress
A) Two B) Five C) Three D) Four
A) Marrying fishermen B) Young men with rods C) Fishing in forbidden waters D) Losing their innocence
A) Marjorie Wing Hirsch B) John Reed C) Franz Schubert D) Thomas Kramer
A) Vivace B) Etwas lebhaft C) Allegro moderato D) Andante con moto
A) The first verse B) The second verse C) The final verse D) The third verse
A) Streichquartett B) Durchführung C) Abgesang D) Gesamtkunstwerk
A) By adding a piano coda B) By changing the melody C) By rewriting the lyrics D) By removing the stanza
A) Folklike naïveté B) Military precision C) Deep melancholy D) Religious fervor
A) They fade into a pianissimo B) They transition into a solo cadenza C) They double in length D) They are broken by startled rests |